Archive for the ‘Atria Books’ Tag
Nella Rogers is proud of herself for getting her foot in the door of a New York City publishing company. She assumes her presence alone should cause people to think about race. Yet, in the two years since her hiring, she’s made little effort in changing the office culture. She is the only woman of color until Hazel arrives; suddenly Hazel is seen and heard where Nella never was before.
Zakiya Dalila Harris’s The Other Black Girl addresses several topics and formats in one swift effort. First is the issue of race, but it is from the Black perspective. What initially appears to be a narrative about the lives of two Black women with different life experiences evolves into espionage; it becomes a mystery of sorts.
Nella grew up in a suburb among few Blacks; Hazel’s background is much different: she grew up in Harlem. Hazel immediately ingratiates herself among the office staff, including Nella’s boss. A book under consideration for publication is troublesome to Nella because she views it as racist, but is reluctant to say so. When Hazel encourages her to speak up, things begin to change, but not as expected.
The novel includes two time periods: 1983 and 2018. The connection between the two isn’t fully addressed until the end. This, along with several threatening notes left at Nella’s desk, creates tension and intrigue. Inconsistencies in some of Hazel’s story cause Nella to suspect her colleague and make the reader wonder which one is the other black girl?
The Other Black Girl
Four Bookmarks
Atria Books, 2021
357 pages
Ordinary Grace by William Kent Krueger, a coming-of-age story, center, around three mysterious deaths.
Forty years after the fact, Frank Drum recounts the summer he was 13. His musically-gifted older sister is getting ready for Julliard. His kid brother, more often than not, is Frank’s shadow. His father is a minister and his mother resents not having the life she imagined.
It’s early 1960s, school’s out and attending services where his father preaches on Sundays is the only real routine Frank has. Otherwise, it’s a halcyon, small town existence. That is until a young boy is found dead on railroad tracks; Frank discovers a vagrant’s body near the river and another death strikes closer to home.
The author blends vivid imagery of summer’s joys with a family’s grief. Frank is no-nonsense kid who’s sometimes insightful and at other times naïve. He’s protective of his brother whose shyness stems from his self-conscious stuttering. Such characterization is one of the novel’s strengths. Besides the close relationship with his dad, Frank bonds with Gus, who served in the war with his dad. When Frank isn’t sure about sharing concerns with his dad, he turns to Gus.
It’s unusual for a novel to feature not just one but two positive male role models; although at times, Gus’s behavior does raise eyebrows. The females are secondary characters even though their talents and interests are well-defined, they’re peripheral in Frank’s world.
The take-away, though, is the power of forgiveness and acceptance in the face of sorrow.
Ordinary Grace
Four Bookmarks
Atria Books 2013
307 pages
Fredrik Backman hit the bestseller list in the United States with A Man Called Ove in 2013. (Several of his books are reviewed here on The Blue Page Special). Beartown, his most recent, is as engaging and character-driven as his previous work. Yet, in many ways, it’s also a departure.
The small, isolated town of the title is cold and bleak, where hockey reigns, followed closely by poverty. This is a story about fitting in, motivation, pain, teen angst, adult misperceptions and misplaced loyalty. It lacks the blatant quirkiness of some of Backman’s earlier novels and teeters near the edge of predictability. Its salvation lies in the strength of the characters. Some fall into the cliché category while most are remarkable and credible, if not always likeable.
The first sentence is a grabber; actually, it’s more like a full body check: “late one evening toward the end of March, a teenager picked up a double-barreled shotgun, walked into the forest, put the gun to someone else’s forehead, and pulled the trigger.”
The town’s economy depends on the success of its junior ice hockey team winning a championship. It’s well positioned to do so thanks to the group of players who have been together for years and the exceptional talents of a particular player.
However, as Backman describes the players, their families, fans and town residents, it becomes evident that all is not as it appears. This is about secrets, self-identity and the drive not just to succeed but to survive.
Beartown
Four bookmarks
Atria Books, 2017
432 pages
This is a good time of year for a heartwarming story, even a predictable one. A Man Called Ove by Fredrik Backman fits the bill.
Ove is a Saab man. He’s not employed by the Swedish automaker, he’s loyal to it. It’s his gauge of measuring a person’s character (in Ove’s world it usually applies to men). Ove is all about character. He raises his eyebrows at those who drive BMWs or Audis; he tolerates Volvos.
Set in his ways like a train on a track, Ove only cares about his route. Except, anyone sharing his path must abide by the same rules he does. He doesn’t necessarily set the directives only that he follows them to an extreme.
At times funny and sad, Ove’s story is initially about his decision that it’s time for his life to end. Of course, this is no laughing matter, but humor surfaces as life intervenes in his efforts to take action. Distractions get in the way. He must contend with neighbors, a stray cat, being in the wrong place at the wrong time, and his wife Sonja.
Set in Sweden, Backman alternates chapters to reveal Ove’s past and its impact on the present. It’s easy to visualize Ove as a grumpy old man, although he’s only 59; it’s also not difficult to see, or at least initially suspect, there’s more than meets the eye. It’s most evident in his love for Sonja. What happens comes as a surprise to Ove and the reader.
A Man Called Ove
Three and three-quarters Bookmarks
Fredrik Backman
Atria Books, 2014
337 pages
Isabel Allende is among my favorite authors. I am reminded of how I feel about my kids: I love them even though they sometimes do things I don’t always like. Allende’s most recent novel, The Japanese Lover, is like that.
The story involves too many secrets, predictable plot lines and cardboard characters. Alma Belasco, a woman of means in her 80s, moves into Lark House, an unconventional nursing home. There she meets 23-year-old care-giver, Irina Bazili. The two bond, and soon Irina is helping Alma’s grandson, Seth, work on a book about Alma and the Belasco family history.
Of course, Irina has a past about which little is revealed, but Alma has secrets, too. As Seth and Irina learn more about Alma, it’s apparent there’s a lost love. Yawn. The younger couple believes the romance is still going strong, although this is all based on speculation.
There was, in fact, a lover. He started out as the youngest son of the Belasco family’s Japanese gardener and Alma’s childhood best friend. One of the most interesting aspects of the narrative is when Ichimei and his family are uprooted from their San Francisco home and relocated, with thousands of other Japanese-Americans, to an internment camp.
Given his role as title character, Ichimei is one-dimensional. Even Alma could have been so much more – especially in Allende’s hands. Alas, this is one of those books I didn’t like much; nonetheless, I look forward to the author’s next work.
The Japanese Lover
Two-and-a-half Bookmarks
Atria Books, 2015
322 pages
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