Archive for the ‘friendship’ Tag
In Sara Blaedel’s The Midnight Witness, set in Copenhagen, the strangled body of a young woman is found in a park. Before long, a journalist investigating drug trafficking is discovered dead in a hotel alley. Questions soon arise: Could these cases be related but how?
Detective Louise Rick is initially assigned to the young woman’s case; later, she’s transferred to the second murder.
Blaedel’s writing is engaging thanks to well-crafted characters. Louise is smart and despite her expertise she’s often diminished because she’s a woman; nonetheless, she has worked her way through the ranks to become a detective. Her best friend Camilla Lind, a journalist investigating the same murders, is set on establishing a connection.
The author provides enough detail about the women’s lives without it overshadowing the who-dun-its. Both are single, although Louise is in a long-term relationship with a man who’s been offered a job in Scotland wanting her to join him. She’s confronted with the personal vs professional battle many women face. Camilla is earnest in her journalistic role, but also is often not taken seriously due to her gender. She’s motivated to prove otherwise.
As they pursue the cases in their respective roles their bond is strained. The tension between the two is palpable. Even as Louise becomes increasingly frustrated with her friend’s involvement she can’t help being concerned for Camilla’s safety.
A third murder victim not only amps up the police efforts, but also raises suspicions about possible leaks among everyone involved in the investigation.
The Midnight Witness
Almost four bookmarks
Grand Central Publishing, 2018
284 pages
In a small, post-war French village, two young teenage girls, Agnes and Fabienne, are the main characters in Yiyun Li’s The Book of Goose. Yes, it’s a strange title, more unusual than the story itself.
As an adult married woman living in the U.S., Agnes learns of Fabienne’s death whom she hasn’t seen in more than 10 years and reflects on their friendship.
Out of boredom, the girls played games relying on Fabienne’s imagination and rules. The two were opposites in personalities, with Agnes always willing to follow her friend’s directives.
Fabienne devises a plan for the two to write a book; she dictates and Agnes, who has better penmanship, puts it down on paper. They enlist the help of the old widowed postmaster, who ultimately fine tunes the book before contacting a publisher in Paris.
Thus the game takes on a new dimension with unsophisticated Agnes recognized as a child prodigy. This farm girl is scrutinized and celebrated as she goes beyond Paris eventually to a finishing school in England, unhappily leaving her friend behind.
Although Fabienne often called her friend an idiot or imbecile, Agnes is more than she appears. Agnes could have other friends, but chooses Fabienne. They fill an unspoken need in each other.
The novel’s essence is grounded in the meaning of friendship with an underlying thread of deceit, loss and discovery. The adult characters are one-dimensional in sharp contrast to the multilayered portrayal of the young girls.
As for the title, Agnes has geese.
The Book of Goose
Four Bookmarks
Farrar, Strauss and Giroux, 2022
348 pages
Zorrie is the title character in Laird Hunt’s novel about a woman whose life is defined by loss, love and the tenacity to keep moving forward.
Following the death of her parents, Zorrie lives with a joyless aunt until the age of 21 when she leaves her hometown in rural Indiana to find her place in the world. She’s undaunted traveling alone and sleeping under the stars. She gets to Illinois where she eventually finds employment at a radium factory painting the numbers on clock faces. The townspeople call the young women who work there “ghost girls” thanks to the radioactive material that makes them glow – something that is haunting. Although she makes enduring friendships with other young women, Zorri makes her way back to Indiana.
This is a terse novel with little embellishment, much like Zorri’s life. Despite this, the descriptions of the community, farms and hardscrabble existence of Zorri and her neighbors are vivid. She’s a no-nonsense, kind and hardworking person.
Soon after returning to Indiana, she marries Harold, the son of the older couple with a spare room to let. Hunt’s adroit narrative leaves the reader as surprised as Zorri by the depth of her relationship with Harold.
The depression, World War II and other events of the mid-20th century impact Zorri’s life in profound ways. Still, her resiliency and Hunt’s ability to highlight beauty among mundane daily routines make for an engaging novel. Zorri may not articulate appreciation for what she has, but it’s evident nonetheless.
Zorri
Almost-four bookmarks
Bloomsbury Books, 2021
161 pages
I recently discovered the unexpected pleasure of Carol Anshaw’s Carry the One, which had been buried in my nightstand stack. (The unforeseen is or should be, after all, one of the joys of picking up a new book.)
Through richly developed characters, smooth transitions of the progression of time and several relatable subthemes, Anshaw has crafted a meaningful story about the impact of tragedy – even when there are degrees of separation from it.
Soon after Carmen’s wedding reception, five guests including her siblings Alice and Nick and their partners Maude and Olivia, who are all on drugs or drunk, are involved in an accident. On a dark, deserted road their car runs over a young girl.
Each passenger, as well as the wedding couple, deal with the accident in different ways. Olivia, who was driving is sent to prison where she undergoes a dramatic personality change. Alice immerses herself in her art by painting portraits of the deceased girl as she would have grown up. Carmen, who was not in the car, engages in community activism; and Nick, who is overwhelmed with guilt, tries to overcome his addictions in order to be the man Olivia insists he become.
Their success in their respective endeavors varies as time passes. This progression is smooth. It’s subtly indicated through someone’s birthday, a current event and the age of a beloved dog – among other observations.
Anshaw incorporates wry humor in this engaging, relevant narrative while portraying vivid emotional pain through familial and romantic love.
Carry the One
Four+ Bookmarks
Simon & Schuster, 2012
253 pages
Of the authors, dead or alive, who’d prompt me to be a groupie is Amor Towles (obviously among the latter category). His newest novel, The Lincoln Highway, is nearly 600 pages and I couldn’t wait to get lost in it. I did have to wait awhile for a copy, but once I held it in hand I felt like a kid on the first day of school: excited and apprehensive about what was to come.
Emmett Watson has just returned to his rural Nebraska home having served time for involuntary manslaughter. He plans to start a new life in Texas with his eight-year-old, wise-beyond-his-years brother, Billy, who has other ideas: to head west. He’s certain they’ll find their estranged mother in San Francisco and insists they travel the Lincoln Highway, a coast-to-coast route.
However, Emmett’s friends, Duchess and Woolly from the work farm, appear having stowed away in the trunk of a car. They have different plans for traveling the Highway, and they steal Emmett’s prized Studebaker to head east.
Emmett and Billy’s story becomes one of reclaiming not only the car but their journey’s purpose; Duchess and Woolly have other goals. All their adventures involve a cast of characters from the sublime to the absurd. What’s initially Emmett’s story soon becomes Duchess’s – his are the first person voice chapters; the others use third person voice.
The Lincoln Highway is an odyssey filled with heroes and monsters. It’s also where friends become family – with some selfish members and some more likeable than others.
The Lincoln Highway
Four-and-a-half Bookmarks
Viking Books, 2021
576 pages
The who-dun-it and who-was-it-dun-to formula crafted by Lucy Foley in The Guest List resurfaces in The Hunting Party. Although effective, I hope she doesn’t use the same approach in subsequent works. It’s clever, but enough is, well , enough.
It’s evident from the beginning that the victim and the murderer are among the handful of narrators. There are other characters, but only in supporting roles: spouses, two other couples, two additional guests and a third employee. What’s learned about them is from the narrators’ perspectives. The setting is an upscale lodge in a remote part of the Scottish Highlands in a blinding blizzard, plays a major role in the plot.
A group of old friends gathers on New Year’s Eve as they have since their days together at Oxford. They’re now in the early 30s and have established themselves in the world. Miranda is the spoiled, party girl used to the finer things; Katie, an attorney, is her childhood friend; Emma, is relatively new to the group and is the trip organizer; Heather manages the lodge; and Doug is the gamekeeper. Through these narratives, their histories and personalities come to light.
Time is also key as it moves back and forth from December 30 to January 2. This pattern is similar not only to The Guest List, but Foley’s other novels.
Despite following the same blueprint, this mystery is engaging. Chapters become shorter the closer the reader gets to the reveal. In the process it becomes a rapid page turner.
The Hunting Party
Three-and-a-half bookmarks
William Morrow, 2019
328 pages, plus reading group guide and more
The Great Believers begins in 1985 Chicago when a group of friends, who’ve been excluded from a funeral, gather to celebrate Nico’s life. He died of AIDS. It’s early days of the epidemic and their friend’s death foretells of what lies ahead for many.
Yale Tishman is among the group, as is Fiona, younger sister of the deceased. Nico’s parents kicked him out of the family home years ago, but Fiona stayed in contact providing him food, money and support as best she could. Consequently, she grew up around Nico’s circle of friends, including Yale.
Time is an element of Rebecca Makkai’s novel which alternates between Chicago 1985/86 and Paris 2015. The earlier period focuses on Yale. He’s a development director for an art gallery, is in a monogamous relationship and comes across as an intelligent, sensitive young man. Through Fiona he’s put in touch with her aunt with an art collection from the 1920s Yale tries to secure for his gallery.
The latter time frame follows Fiona to Paris in her attempt to locate her estranged daughter and granddaughter. The younger Fiona is more interesting than the older version. She took care of Nico, and many of his friends, as they contracted AIDS. She apparently exhausted her caretaking abilities when it came to her immediate family.
Still, the beauty of the novel lies in the power of friendship and acceptance. Yale, and others, faced threats and, initially, medical care for AIDS patients was scattered, at best.
The Great Believers
Four Bookmarks
Viking, 2018
421 pages
I finally did it: binged on three* Louise Penny novels back to back. There’s still another to read, but since it isn’t on my nightstand (per my New Year’s Books Resolution), it has to wait.
Most readers I know are fans of the Inspector Armand Gamache series. To those few who admit to me they aren’t, we can still be friends; although, I am disappointed.
Nonetheless, I’ll focus on All the Devils are Here, which allows me to also highlight what I enjoy so much about Penny’s work: the relatable characters, the descriptions (and significance) of settings, and, of course, the mystery to be solved. Unlike most of the previous novels, this one is set in Paris, with brief references to Three Pines, the small, tight-knit community in rural Quebec. I was initially disappointed the usual cast of characters (residents of Three Pines) was relegated to barely-existent roles. Yet, Paris is, after all, a magical place, which comes to life through the author’s vivid imagery of people, sites and food – lots of food.
In addition to the mystery at hand, are several back stories: Armand’s relationship with his estranged son Daniel; the imminent birth of his granddaughter; and his memories of visiting the City of Lights.
Suspicions abound as Gamache works to discover who tried to kill his godfather. The inspector encounters corporate espionage, corrupt police and rumors involving the French Resistance. It’s an intriguing combination. This and the benevolent qualities of her main character are what Penny does best.
All the Devils are Here
Four Bookmarks
Minotaur Books, 2020
439 pages
*Kingdom of the Blind
A Better Man
All the Devils are Here
Punctuation in Elizabeth’s Strout’s new novel, Oh William!, is important to note. There’s no comma after Oh and the exclamation mark is, indeed, a point of emphasis. Those who’ve read Strout’s previous works will be familiar with William’s ex-wife, Lucy Barton. If introduced here to Lucy for the first time, there’s enough about her past and how it factors into her relationship with William.
To say they’re cordial to one another is an understatement; though long divorced, they are friends, even confidantes, but certainly not lovers. They have two grown daughters, share holidays and are, simply, part of each other’s lives.
Each remarried years ago, although Lucy’s second husband is deceased and William’s third wife has recently left him.
Strout’s writing is terse, efficient and occasionally melancholy. Told from Lucy’s perspective, the narrative focuses on William and, significantly, his late mother. When William discovers a family secret he’s compelled to learn more. A road trip ensues and he asks Lucy to join him. She agrees.
Lucy notes early in the novel that William has always exuded confidence something that manifested itself in his position as a scientist and NYU professor. As a writer, Lucy is observant, attune to those around her. Through her eyes, the reader witnesses William’s certainty begin to diminish, while her own grows stronger.
The title can be read as both a lament (even sans comma) and celebration; both are fitting. Oh William! is a testament to the power of friendship, especially as one ages. Hurray Lucy!
Oh William!
Four Bookmarks
Random House, 2021
241 pages
The 100 Years of Lenni and Margot by Marianne Cronin is about the sustaining and enduring power of friendship. Lenni is the 17-year-old narrator hospitalized with “life-limiting” cancer – usually referred to as terminal. She meets 83-year-old Margot and an immediate bond is formed. Between them is a 100-year-old life.
Lenni’s acerbic, insightful humor is beyond her age. This isn’t a criticism; it makes sense given her situation. She’s a no-nonsense teen who doesn’t get to live the life of a healthy teenager. She still manages to sling attitude, though. Yet, she makes the most of her situation: she’s curious, so she meets with the hospital chaplain; she creative, so she has the idea to collaborate with Margot to share their life stories through art. Each painting is associated with a particular and significant situation, which they reveal to each other. The result, besides bringing them closer, is a compelling narrative rich with life’s joys and sorrows.
Lenni’s parents never visit, which is eventually explained. Whether intentional or not, Lenni creates her own family within the hospital. Father Arthur, New Nurse , Paul the Porter, the Temp and Pippa the art teacher are those with whom she has meaningful relationships.
Cronin’s characters are vividly portrayed. The novel is both heartwarming and heart wrenching. After all, the word terminal is stated on page one. The friendship with Margot transcends age. Although Lenni will never have Margot’s experiences, she’s able to appreciate what life does offer, and everyone is enriched by knowing Lenni.
The One Hundred Years of Lenni and Margot Four+ Bookmarks HarperCollins, 2021 326 pages, plus Reading Group Guide and Author Interview
The Blue Page Special 