Archive for the ‘fiction’ Tag
I was on the library’s waiting list for Gillian Flynn’s Gone Girl for months. When it was finally ready for me to check out, I was impatient to start reading. After mentioning this to a friend, her reaction was less than exuberant, it was baffling. After all, the novel was so popular there’d been hundreds ahead of me waiting for a library copy. It’s been on Publisher Weekly’s list of Best Hardcover Fiction for 15 weeks – and appears pretty comfortable there. I pressed my friend for more, but she held fast: we’d talk when I finished.
Gone Girl is a mystery on several levels, including how I spent time living with such unlikeable characters for the past week? The story follows the disappearance of Amy on her fifth wedding anniversary. By all indications, her husband, Nick, is responsible. Amy and Nick alternate as narrators. The book is divided into three sections. The first focuses on the disappearance, possibly abduction or possibly murder. Nick comes across as shallow and surprised, not upset, at his wife’s unexplained absence. He seems guilty, which is reinforced by Amy-as-victim told through diary entries.
The second and third sections of the book reveal much more about Amy’s ability to weave complicated webs of deceit. It’s not that Nick is suddenly less appalling, but Amy is more so. Flynn is a craftswoman. Her characters are fully developed as repulsive and intriguing. They’re also scary, always a good thing for a mystery, and I couldn’t look away. I need to talk to my friend.
Gone Girl
Four Bookmarks
Crown Publishers, 2012
415 pages
I don’t know what it is that makes me crave Scandinavian crime fiction, but I’m addicted. Sweden’s Hakan Nesser’s Mind’s Eye fed my habit, but I know I’ll need more soon. Nesser is a master storyteller whose pacing is neither rushed nor sluggish. The crime scenes aren’t too gruesome and the clues are well hidden. He even manages to throw humor into the mix.
The story begins with Janek Mitter awakening from a drunken stupor only to find his wife drowned in the bathtub. Mitter’s too easy a suspect, but is, nonetheless, tried and convicted before things take a turn and get exciting: Mitter, too, becomes a victim. That’s where Chief Inspector Van Veeteren, a middle-aged investigator with an attitude, comes in. His success rate at solving crimes is impressive. He had early doubts about Mitter’s guilt, but not soon enough.
I had a fairly good idea about who the actual killer was, but was not prepared for why. Van Veeteren knows who but won’t name names because, as he tells a subordinate, “… there has to be a story,” in other words a reason. Nesser’s characters develop slowly, and in an interesting manner. Many chapters begin with stream of consciousness narration and it is unclear who’s doing the thinking. This only enhances the element of suspense. Eventually, it gives way to very clear identities and perspectives.
This is the first of Nesser’s Van Veeteren mysteries. I can’t wait for my next fix, I mean the next installment. Fortunately, Nesser has several.
Mind’s Eye
Four Bookmarks
Pantheon Books, 2008
278 pages
I am not sure I would have chosen Corinthia Falls off the bookshelf on my own,
but I volunteered to judge a competition. Kim Hutson’s book is what I received in
the mail, along with a list of reading criteria. It was entered in the Fiction Category,
but that should’ve been amended to Christian Fiction. There’s nothing wrong with
that genre, I just think it warrants a heads up. Or maybe I should have paid more
attention to the photo of a church on the cover.
The book gets its name from the small town in Oklahoma where most of the story
takes place. The first two-thirds is narrated by 18-year-old Timber Oaks who has a
strong sense of faith, a group of best friends, loving parents, and an impressive golf
game. The town is full of the requisite eccentric characters, many of whom initially
don’t get along. An itinerant evangelist arrives to help the Corinthia Falls Church,
the townspeople, and Timber fully realize the presence of God in their lives.
The book’s final third begins 30 years after Timber’s narrative ends. Priscilla Luke,
a long-time journalist and, as it turns out, Oaks’ family friend takes over as narra-
tor. This change in voice is interesting. Pris brings the reader up to date on the
major changes many of the characters have experienced, and tells Timber’s story
from the outside looking in.
Some editing and grammar issues distract from what is otherwise a story strong on
faith with occasional lapses in believability.
Corinthia Falls
Three Bookmarks
Outskirts Press, 2011
404 pages
Sorry for the delay in posting, but the wildfire here in Colorado Springs was a major distraction this weekend. We still need some rain.
Although somewhat entertaining, The Writing Class by Jincy Willett is a light
mystery with writing advice. Willett should have heeded some of her own tips,
particularly when it comes to character development. Oh wait, she didn’t really
address that. Still, plenty of other writing elements addressed go unheeded.
The class, comprised of 13 students, is actually a nine-week workshop. It’s taught
by one-hit writer Amy Gallup repeatedly described as “a loner who hated to be
alone.” That’s not necessarily the kind of thing that needs emphasis. Willett could
show this more, rather than tell it so frequently. Amy’s tired and cynical attitude
doesn’t mesh with her sense of humor and appreciation of good writing when it
surfaces. She’s quick to categorize her students when a new workshop gets under
way. However, she soon realizes she’s made some judgment errors, particularly
when someone in the group begins to send anonymous threats, which ultimately
lead to murder. Nonetheless, the group grows close and despite, or because of,
the murders everyone becomes friends and suspects.
Part of the problem lies in the suspension of disbelief which simply doesn’t happen.
The first threats should have triggered someone, if not Amy, to contact authorities.
Although, there is some acknowledgement this should be done, it doesn’t occur until
too late. Perhaps the best parts of Willett’s novel appear in the different voices creat-
through her students’ writings. They are far better representations than the one-
dimensional descriptions of the characters. If this was intentional, Willett was
successful.
The Writing Class
Three Bookmarks
St. Martin’s Press, 2008
326 pages
The Blue Page Special 