Archive for the ‘ageism’ Tag

Maud is the 88-year-old Elderly Lady up to No Good in Swedish writer Helene Tursten’s terse collection of short stories.
Most of what Maud is up to is murder. She’s an unlikely bad guy (gal), and not just because she’s a woman, It happens that murder is the way she solves a lot of problems; they are often not even her own issues.
Alone and living rent-free in a Gothenburg apartment, Maud’s housing situation is challenged when a demanding artist moves into a smaller apartment. Maud grew up in the spacious living area she still inhabits. A clause in her late father’s will stated that she and her older sister would be allowed to remain until their deaths. Her sister has been dead for 40 years and Maud has no intention of relinquishing her apartment anytime soon.
When not busy plotting how to rid herself from the artist’s attention, she enjoys traveling. Although each of the five stories is a stand-alone narrative, all are tied to Maud’s apartment and travels. The latter often provides an alibi.
Tursten’s writing is witty . The main character takes advantage of ageism and misperceptions to get away with, literally, murder. Even though Maud is not a sympathetic character her actions are not completely unjustified. Extreme certainly, but often warranted.
An Elderly Lady is Up to No Good
Four Bookmarks
Soho Press, 2018
171 pages

The title of Yewande Omotoso’s novel The Woman Next Door is pleasantly ambiguous. There are actually two women living next door to one another with much more than a property line separating them.
Both women are older widows, had impressive careers; one is white and the other black. The setting is suburban Cape Town, South Africa. Neither is happy and each covets something the other has. Despite these similarities they are barely civil to one another.
Of the two, Hortensia is the most acerbic, although Marion is only slightly less prickly. The interactions between them are exercises in seeing who can sling the deepest barb. Marion is not Hortensia’s only victim; her caustic manner assumes an equal opportunity approach. Hortensia might as well wear a t-short with a warning label: stay out of my way.
In a well-paced style, the author reveals the women’s past which helps explain their attitudes toward each other and the world. An accident forces the pair together, but the situation is far from amicable. Even though it is Hortensia who offers the first semblance of a peace offering, it’s evident the gesture has ulterior motives. Meanwhile, Marion’s efforts to extend an olive branch appear more genuine.
Omotoso’s writing is vivid and engaging. The story begs an answer to the questions of Hortensia’s universal dislike of people and Marion’s general unhappiness.
At the risk of needing a spoiler alert, the ending is the weakest element of the narrative. However, overall it’s poignant on many levels.
The Woman Next Door
Four Bookmarks
Picador, 2016
278 pages