Archive for the ‘terse writing’ Tag

Murder Family Style   3 comments

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My Sister, the Serial Killer by Oyinkan Braithwaite is both engaging and unnerving. The writing accounts for the former and the subject, which the title clearly reflects, explains the latter.

Korede is the good sister. She’s older, responsible and works as a nurse. She is single but is attracted to a doctor with whom she is friends. Her looks are considered plain. Meanwhile, her sister, Ayoola, is beautiful, flippant and kills off the men she dates. She relies on Korede to, literally, clean up the mess.

Yet, Ayoola’s most recent – the third — murder leaves her sister filled with guilt. She begins to worry that the same fate will befall the doctor who has succumbed to Ayoola’s charms.

In addition to the deaths, which for the most part warrant little attention from the police, the narrative explores the sisters’ relationship with their father. He’s an abusive, powerful man, whose character is portrayed in the past tense. The more that’s shared about him, the more one has to wonder how he died, particularly given Ayoola’s penchant for murder.

Braithwaite’s novel is about the strength of sisterly love, no matter how misguided, and the way in which dreams can be so easily burst in the name of loyalty. Short chapters and the terse vivid writing make this a fast read. The characters are easily imagined and a range of emotions, from sympathy to disappointment, is evoked.  It’s clear from the beginning that Ayoola isn’t good; the real surprise comes from Korede.

 

My Sister, the Serial Killer

Four Bookmarks

Doubleday, 2018

226 pages

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An Unlikely Murderesss   1 comment

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Maud is the 88-year-old Elderly Lady up to No Good in Swedish writer Helene Tursten’s terse collection of short stories.

Most of what Maud is up to is murder. She’s an unlikely bad guy (gal), and not just because she’s a woman, It happens that murder is the way she solves a lot of problems; they are often not even her own issues.

Alone and living rent-free in a Gothenburg apartment, Maud’s housing situation is challenged when a demanding artist moves into a smaller apartment. Maud grew up in the spacious living area she still inhabits. A clause in her late father’s will stated that she and her older sister would be allowed to remain until their deaths. Her sister has been dead for 40 years and Maud has no intention of relinquishing her apartment anytime soon.

When not busy plotting how to rid herself from the artist’s attention, she enjoys traveling. Although each of the five stories is a stand-alone narrative, all are tied to Maud’s apartment and travels. The latter often provides an alibi.

Tursten’s writing is witty . The main character takes advantage of ageism and misperceptions to get away with, literally, murder. Even though Maud is not a sympathetic character her actions are not completely unjustified. Extreme certainly, but often warranted.

An Elderly Lady is Up to No Good
Four Bookmarks
Soho Press, 2018
171 pages