Archive for the ‘Books’ Category
A Good American is not only an engaging tale about immigrants, it’s also a captivating
account of the power of family and community. Alex George’s novel begins as a love story,
which ultimately becomes a chronicle spanning four generations. George starts with the un-
likely courtship of Frederick Meisenheimer and Jette Furst in Hanover, Germany. The uncon-
ventional Frederick woos Jette, a robust independent woman, by singing Puccini from behind
a privet wall; thus setting a precedent for the importance of music in the Meisenheimer house-
hold. The pair soon relocates to Beatrice, Missouri.
Narrated by James, Frederick and Jette’s grandson, the novel is an absorbing examination
of domestic life. The story is abundant with an eccentric cast of supporting characters, rang-
ing from a giant to a midget. And, as James notes, “While we were growing up, so was America.”
Rural America is the perfect backdrop for the Meisenheimer portrait. This is not a glowing
portrayal because the members have their share of faults. Yet these only to serve to make
everyone more believable. As with any family, dysfunction does exist in the bloodline. Its
manifestation simply, and oddly, makes everyone even more endearing. The beauty, and
strength, of the novel is that it is filled with not just one good American, but many. It may
be easy to overlook the concept of America as a melting pot today, but George’s narrative,
even while acknowledging the negative elements lurking in the shadows, reflects the best
ingredients that make this country what it is.
A Good American
Five Bookmarks
G.P. Putnam’s Sons, 2012
387 pages
It doesn’t happen often, but occasionally after finishing a book I’m uncertain
how I feel about it. The Lifeboat by Charlotte Rogan leaves me ambivalent.
It’s an interesting premise: a group of 40 adrift after their ocean liner explodes
at sea. The year is 1914, so the event is sandwiched between the (unrelated) sink-
ing of the Titanic and the Lusitania.
Grace, newly married, is the narrator whose story is based on journals she is
asked by her attorneys to prepare after the fact. Perhaps some of my hesitance
to rave or rant lies in Grace. It’s clear as she relates how she came to marry her
her husband that she is a manipulator, if not an all-out gold digger. Few of the
characters act admirably in the adverse conditions, but remember Grace is tell-
ing the story. However, even she admits her memory is faulty, at best, from the
extreme conditions of being lost at sea for an extended period of time (at least
two weeks).
Where Rogan shines is descriptive writing: “The boat pitched and rolled as it
alternately climbed the foamy heights of the waves and then descended into hell-
ish troughs so that we were surrounded on four sides by walls of black water.”
It’s enough to keep me away from a boat of any size let alone one meant to save
lives.
Rogan’s boat is a metaphor for choices made and the motivation behind them.
The question I’m struggling to answer is if the idea’s strong enough to hold water?
Lifeboat
Three Bookmarks
Little, Brown and Co., 2012
278 pages
Just to be clear, The Sisters Brothers isn’t missing an apostrophe. The first time I saw
the title by Patrick DeWitt I was certain there was an error. I thought the book was about
the male relatives of sisters. That’s half right: brothers Eli and Charlie Sisters, but no
female siblings.
Set in the Old West, Eli narrates as he and Charlie, both professional gunslingers, embark
on their latest assignment: to find and kill an enigmatic miner. DeWitt’s depictions of time
and place are so strong you can practically smell smoke after the gunfights. Charlie is the
elder and angrier of the two brothers. Eli paints himself as a sensitive man, going so far as
to keep a horse he describes as “portly and low-backed and could not travel more than fifty
miles in a day…” even after he acquires a better, faster one. His reasoning: he felt sorry for
the old one. Strange stuff from a reputed bad guy.
Although his age isn’t mentioned, Eli is going through, if not a midlife crisis, at least a mid-
career one. He’s questioning his line of work. DeWitt injects humor into this western tale
about two men bound by blood and business, but separated by sensitivity and yearning.
Eli realizes he has missed out on many things including, a wife and family, because he has
knowingly ridden alongside Charlie. At one point, this realization even causes Eli to go on
a diet. Yup, mighty strange stuff from a reputed bad guy.
The Sisters Brothers
Four Bookmarks
HarperCollins Books, 2011
325 pages
When my husband and I go to a movie we silently give a thumbs up or down to the trailers
before the main feature. We know that even if it looks promising, it’s entirely possible that
all the good parts are revealed in the preview. The same holds true with book jackets, such
is the case with Coral Glynn by Peter Cameron.
In 1950s rural England, Coral is a home nurse caring for the dying Mrs. Hart, mother of
Clement Hart, a young man disabled in war. Based on Coral’s presence in the family home
and a few shared brandies in front of the fireplace, Clement proposes and she accepts. There
are no sparks; in fact, there is not even any flirtation. There is, however, an unrelated crime.
The couple is getting ready for bed just when a police officer arrives. Minutes after being
interviewed by the constable for a murder Coral did not see, but knew about nonetheless,
Clement suggests she go to London. This is only one of several shrug-your-shoulders and
roll-your-eyes incidents. The marriage is never consummated, and Coral simply flows with
the tides of life in an apparent daze. If this all sounds unusual, it’s because it is.
Cameron has not created characters who elicit emotion, let alone interest. There is neither
humor nor tragedy, or perhaps there is both. With this in mind, I suggest reading the dust
cover. It’s far more interesting than the pages it embraces, and takes a lot less time.
Coral Glynn
Two-and-a-half Bookmarks
Farrar, Straus and Giroux, 2012
210 pages
The Black Minutes by Martin Solares is a two-tiered crime novel held together by in-
teresting characters and captivating murders over a 20-year time span. The writing is
icing. Solares creates easy to envision situations in a fast-paced style. The only problems
occur in the transitions from reality to dreams and the number of personalities filling the
pages.
Thankfully, Solares includes a three-page Cast of Characters to help keep track of who’s
who. Most are corrupt law enforcement, politicians, clergy, and businessmen; but not
everyone is a bad guy. While there may not be any white knights, there are a few gray
ones. The story begins with the murder of a young journalist investigating a serial kill-
ing spree that took place 20 years ago in his town of Paracuan, a Mexican port and home
of a drug cartel. Ramon Cabrera is the honest police investigator who is removed from the
case shortly after he connects a few dots. Cabrera establishes a relationship between the
journalist’s death, the past murders and a scrupulous detective, Vincente Rangel, who
led the investigation two decades ago. This is where it gets fun.
Solares incorporates different narrators, while maintaining his role as storyteller. Certain
chapters are identified as “testimony” wherein the first person voice of one of the characters
tells his version before the writing reverts to third person. The majority of the book tracks
Rangel’s investigation, followed closely by Cabrera’s. Several surprises surface that make
the past more closely linked than one can imagine.
The Black Minutes
Four Bookmarks
Black Cat, 2010
436 pages
The smoke and flames rose into the sky beginning Saturday afternoon. As the
proverbial crow flies, the fire was probably five miles from my home, and many
friends live in areas of imminent danger. They were evacuated immediately. In
the early hours of Sunday morning the entire town of nearby Manitou Springs
was evacuated. Although residents there were allowed home less than 24 hours
later, it was unsettling for everyone. As neighborhoods around our home received
evacuation notifications, my husband and I discussed what we would take: not
surprisingly, photos and family mementos topped the list. When we got word we
were in a pre-evac area, it was time to really consider what to pack. This difficult
task was made even more daunting by the fact that by this point thousands of people
had been displaced and many had lost their homes.
We have shelves and shelves of books. Looking at them I knew I would not be able
to select just a few to carry away. Only one of our sons is home from college this
summer. He packed a box filled with what he called his “theatre and geek books.”
My husband packed his Bible. I looked at my nightstand stacked high; I searched
the shelves near my desk, in the living room, in the study. I even looked at the titles
my absent sons have in their rooms.
Finally, like a scene from Moonrise Kingdom, I packed the library books in a suit-
case. What books would you take?
I am not sure I would have chosen Corinthia Falls off the bookshelf on my own,
but I volunteered to judge a competition. Kim Hutson’s book is what I received in
the mail, along with a list of reading criteria. It was entered in the Fiction Category,
but that should’ve been amended to Christian Fiction. There’s nothing wrong with
that genre, I just think it warrants a heads up. Or maybe I should have paid more
attention to the photo of a church on the cover.
The book gets its name from the small town in Oklahoma where most of the story
takes place. The first two-thirds is narrated by 18-year-old Timber Oaks who has a
strong sense of faith, a group of best friends, loving parents, and an impressive golf
game. The town is full of the requisite eccentric characters, many of whom initially
don’t get along. An itinerant evangelist arrives to help the Corinthia Falls Church,
the townspeople, and Timber fully realize the presence of God in their lives.
The book’s final third begins 30 years after Timber’s narrative ends. Priscilla Luke,
a long-time journalist and, as it turns out, Oaks’ family friend takes over as narra-
tor. This change in voice is interesting. Pris brings the reader up to date on the
major changes many of the characters have experienced, and tells Timber’s story
from the outside looking in.
Some editing and grammar issues distract from what is otherwise a story strong on
faith with occasional lapses in believability.
Corinthia Falls
Three Bookmarks
Outskirts Press, 2011
404 pages
Sorry for the delay in posting, but the wildfire here in Colorado Springs was a major distraction this weekend. We still need some rain.
When reading Helen DeWitt’s Lightning Rods it’s important to keep in mind the various
definitions of satire: lampoon, irony, parody, among others. DeWitt’s novel offers several
examples of satire’s many faces: it’s far-fetched, addresses a significant topic, and throws in
occasional laughs. Unfortunately, this just isn’t enough.
DeWitt examines sexual harassment in the workplace through an idea known as lightning
rods. The genius behind the concept is Joe. Just Joe with no last name and not much of a
backstory. What’s known is that Joe is a down-on-his-luck salesman with a penchant for
sexual fantasies. Of course it makes perfect sense that he would blend his weak sales skills
with the latter to develop a service to improve workplace productivity while eliminating
sexual harassment. Joe’s idea: anonymous female employees (the lightning rods) available to
fulfill sexual needs. This may sound like prostitution, but Joe spends plenty of time trying to
convince people otherwise. Like their namesakes, the females provide resistance to potential
problems. One of the best explanations is from a lightning rod who later becomes a Supreme
Court Justice. She says, “… there’s nothing like being on the receiving end of a proactive sex-
ual harassment program …”
The story follows Joe’s climb from a hapless schmuck to a successful one. Among many ironies
in DeWitt’s tale is that most characters are identified by first name only. They engage in one
of the most personal ways people interact, but they are more like cardboard cutouts than living,
breathing humans.
Lightning Rods
Two-and-a-half Bookmarks
By Helen DeWitt
New Directions, 2011
273 pages
If you read Lionel Shriver’s We Need to Talk About Kevin be sure you have
someone with whom you can talk about it.
This disturbing, yet compelling, story unfolds through a series of letters written by
Eva to her absent husband, Franklin. The purpose of the letters is to try to under-
stand how their 15-year-old son, Kevin, could murder seven classmates, a teacher,
and a school cafeteria worker.
Through a clear almost detached, yet very personal, perspective Eva expresses the
difficulty she has in relinquishing her independence to become a mother. Following
Kevin’s birth, she continues to lack a natural maternal instinct. Still, Eva is not
without heartfelt emotion and empathy; she simply has difficulty showing these traits
to Kevin.
On the other hand, neither is Franklin completely blameless; although his side of the
story is not told. As seen through Eva’s eyes, Franklin maintains a vise-like grip on
the image of a happy, American family. His perception does not include discipline,
respect to others, or a recognition that there are two sides to every story.
Kevin is simply a bad kid, albeit an exceptionally bright one. The concept of uncon-
ditional love falters under Shriver’s pen. Parents are bound to examine their parent-
ing style and question whether it is the right approach. It is easy to be critical of
Eva and Franklin, but it’s hard to know if anyone else could have parented Kevin with
a different outcome.
We Need to Talk About Kevin
Three Bookmarks
HarperCollins, 2006
432 pages
(I wrote this review several years ago, but decided to post it here.)
I hope the next book Alexis M. Smith writes will be much, much longer
than her debut novel, Glaciers. At only 174 pages it is obviously terse,
yet remarkably rich in detail with characters I wanted to spend a lot
more time with.
The storyline follows a day in the life of Isabel, a Seattle librarian who re-
pairs damaged books and whose primary interactions are with those who
are also somehow wounded. That may sound either dry or familiar (The Hours
comes to mind since Isabel plans to attend a party later that day), but Smith
writes in a lyrical, understated manner that is immediately enticing.
Isabel’s story takes place in less than 24 hours, but it is not confined to that
time frame. Her dreams, her family, and her childhood in Alaska are all beau-
tifully crafted to create a complex, sensitive woman with a penchant for vin-
tage clothing and old photographs. Isabel recounts her first trip to a thrift
store with her father who explained they were hunting for treasures. Initially,
the young girl is uncertain, even fearful she will miss the prize, until her father
says, “If you love it, you will treasure it, does that make sense?” The four-year-
old Isabel takes this to heart, and, ultimately, subtly applies the explanation
to everything from dresses to relationships.
Without giving anything away, one of Smith’s most impressive writing techniques
is the adroit manner in which she makes Glaciers Isabel’s story in more ways
than one.
Glaciers
Four and a half Bookmarks
Tin House Books, 2012
174 pages
