Archive for the ‘theatre’ Tag
In Trust Exercise Susan Choi raises the question of perspective; everyone has their own version of a situation. Here it isn’t immediately clear whose is who’s.
David and Sarah are students at an elite performing arts high school; they have a summer romance between their freshman and sophomore years. They, their peers and Mr. Kingsley, the theatre instructor, do little to acknowledge the relationship once school resumes in the fall.
The novel’s three sections are all entitled “Trust Exercise.” This is clever since it not only relates to the classroom experiences designed by Mr. Kingsley to teach the students to depend on each other; it also admonishes the reader to have faith in the narrative.
The first section focuses on David and Sarah’s relationship with supporting roles provided by their classmates, teacher, parents and exchange students from England.
The second “Trust Exercise” re-introduces Karen, a character previously, albeit briefly, mentioned. The switch takes some adjustment since the storyline is now more hers than Sarah or David’s. It’s as if the roles have been switched from supporting player to star. Additionally, a switch from the omniscient narrator to Karen’s voice regularly occurs.
Asides to the reader create a theatrical ambiance, as if to remind of the ties to the performing arts. Drama, in all its forms –onstage and beyond the proscenium arch – is ever present.
Choi has crafted believable characters in credible settings with the challenge of considering different points of view regarding relationships, commitment and loyalty.
Trust Exercise
Four bookmarks
Henry Holt and Co., 2019
257 pages
City of Girls, by Elizabeth Gilbert, is narrated by 89-year-old Vivian Morris reflecting on her life in response to a question posed by Angela, who writes “…I wonder if you might now feel comfortable telling me what you were to my father?”
The short answer is no. The 400-page response is Vivian revealing her history to ultimately explain what he meant to her. Although Vivian knows who Angela is, it’s evident this isn’t a close relationship. In attempting to answer the question regarding her relationship with Angela’s father, Vivian recounts her lively, scarlet past.
Vivian arrives in 1940’s New York City where she’s been banished for tarnishing the family name. She’s failed all of her classes at Vassar. Being sent to live with her bohemian Aunt Peg, who runs a third-rate theatre, is the best thing to ever happen to Vivian.
Vivian lacks an education but is a creative, innovative seamstress and is soon making costumes. Life is good for Vivian until she makes a grave mistake she carries the rest of her life, as does someone else for a completely reason.
After her fall from grace, Vivian briefly returns to her parents’ home before being summoned back to the City by Peg.
Gilbert provides glimpses of the theatre, war effort and beyond as Vivian eventually lives life on her own terms. Although, Angela is frequently addressed throughout the novel, the unexpected connection to Vivian is not revealed until near the end. Herein lies one of the narrative’s many beauties.
City of Girls
Four-and-half bookmarks
Riverhead Books, 2019
470 pages
My favorite passage by Lauren Groff is where she signed my copy of Fates and Furies at the request of my son Tim’s girlfriend. Groff wrote: “Robin – Mariana is the most beautiful and wonderful, isn’t she!” The answer is yes. It is such a stark contrast to the tenor of the novel; I’m led to believe that Groff doesn’t have it out for everyone, which is a comforting thought.
The novel is divided into two categories: fates and furies. The first section begins with newlyweds, Lotto and Mathilde, consummating their marriage on the beach, but he is the focus here. It’s all about him: childhood, banishment from his family to boarding school, college days and efforts to succeed as an actor are portrayed in detail; but not too much as to squelch the imagination. Little is revealed about Mathilde – until furies, which is aptly named.
In an effort to avoid the need for spoiler alerts, suffice it to say there are elements of Gone Girl meets Claire Underwood.
Groff’s writing is clever, humorous and rich in detail. The references to various plays and Greek tragedies, however, are distracting metaphors.
Full of unlikable characters, the book, nonetheless, was appealing. Lotto’s a selfish man who exudes charm. Real charm, not something he turns on and off at will. Mathilde is mysterious and bitchy. They are flawed thanks to the characteristics Groff imbues in them. Neither is someone I want to meet, but I was more than content to know them through the distance of fiction.
Fates and Furies
Four Bookmarks
Riverhead Books, 2015
391 pages
The Blue Page Special 