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Archive for the ‘pathos’ Tag

Serving Time   Leave a comment

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Author Rachel Kushner’s The Mars Room is a strip joint in San Francisco, where Romy Hall once gave lap dances to support herself and her young son, Jackson. That’s before she’s sent to prison in California’s desolate Central Valley, where she’s sentenced to two consecutive life sentences for a crime that’s not immediately explained.

Most of the narration is Romy’s as she recounts her childhood, teenage years and life working as a stripper. These reflections are interspersed with her confinement. It may be almost impossible to think about women in prison without Orange is the New Black coming to mind. However, Kushner’s cell scenes are harsh, unsympathetic and dismal. Nonetheless, Romy is befriended by Sammy, a veteran inmate, Conan, a transsexual who’s very convincing as a male, and Gordon Hauser, a teacher who recognizes Romy’s intelligence and beauty.

A few of the chapters are narrated by these friends. Doc, a crooked cop, imprisoned miles away, also provides a voice. Yet, it’s Romy with her sense of humor, dismay and maternal instincts who commands the pages. She has had to leave Jackson, in the care of her mother, which causes a number of complications for Romy.

Kushner blends pathos with the harsh reality of prison life. As one of the guards states, not just to Romy, but others, “… your situation is due one hundred percent to choices you made and action you took.” As we learn more about Romy and the other characters, it’s evident this is not entirely true.

The Mars Room
Four Bookmarks
Scribner, 2018
338 pages

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Sculpting a Life From Wax   Leave a comment

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Period novels usually aren’t my thing. It could be the often flowery language, the popular use of first person narrative, the topic, the je ne sais pas. Little by Edward Carey, while guilty of the above, including the French, is captivating. The story, based on the early life of Madame Tussaud known for her wax sculptures of celebrities, is rich with humor, pathos, historical references and lively characters.

Born Anne Marie Grosholtz in 1761, Marie, as she was generally called until her diminutive size warranted the nickname “Little,” recounts her family background. She literally begins with her birth. Interspersed among the details of her life are drawings. The first identified as “Drawn by herself. In graphite, charcoal, and black chalk. (This being a likeness of her pencil.)” It’s difficult not to smile, although not all of the subsequent illustrations are humorous.

As a child, her life circumstances dramatically change following the death of her parents when she’s relegated to becoming a servant. Yet, Little is witty, intelligent and has a sharp power of observation: Traits that serve her well as her creativity and talents expand.

Little learns the craft of waxwork from the odd Dr. Curtius, who at first sculpted body parts and organs out of wax. Initially, he treats her as a ward. When the pair moves to Paris from Switzerland, her station is reduced to kitchen maid.

Carey’s epic follows the French Revolution with Little’s indomitable spirit whose name bears no reflection on her inner strength and kindness.

Little
Four-and-a-half Bookmarks
Riverhead Books, 2018
435 pages