Archive for the ‘families’ Tag
Whether it’s referred to as a tome, an extravaganza, or even a whale of a novel, all are apt physical, and some are literary, descriptions of Abraham Verghese’s The Covenant of Water. At more than 700 pages, if nothing else, it’s a marathon of a read.
Set in southwestern India, it encompasses 1900 to 1977. The narrative follows three generations of a family whose members have a history of drowning, known as “The Condition.” Besides the expanse of time, much of what adds to the book’s length is the number of characters introduced, then seemingly discarded only to eventually resurface.
Big Ammachi is the (direct and indirect) loving force binding all of them together. It begins with her as a 12-year-old girl betrothed to a much older widower with a young son and thriving farmland.
The author’s fortes are evident in the descriptions of the numerous evolutions of the relationships among those populating the book. This is rivalled only by the portrayals of the characters and the imagery of the various landscapes visited in the novel. Along with the family’s farmland, the latter includes Madras and a leper colony. Everything is connected; it just takes a while to see how.
Indian history, the caste system, British Raj and medicine are significant elements.
Tragedies and joys abound throughout this epic, with themes of faith and resilience. After questioning whether so many characters, settings and, ultimately, pages were necessary, it’s difficult to see how the story could have been told any other way.
The Covenant of Water
Four-and-a-half Bookmarks
Grove Press, 2023
724 pages, including acknowledgements and notes
The Age of Vice is a massive novel about inequity, corruption and loyalty. Despite its hefty size (more than 500) pages, Deepti Kapoor has crafted an epic story that is equal measures mystery and love story – my favorite combination.
Ajay is the manservant of Sunny Wadia, the son of one of the wealthiest and most powerful man in India. Ajay is imprisoned when he’s identified as the driver of the speeding Mercedes that kills five people. The narrative then jumps back 13 years when Ajay is a poor, barely-educated child in a rural area of India. When his father is beaten by the village leaders, Ajay is sold to help pay the family’s debts. He’s sent to a mountain farm where his situation is improved, although he’s still looked down upon for his station in life.
How Ajay came to be Sunny’s servant and charged with manslaughter is a circuitous tale of excessive wealth and waste amplified by exploitation. By contrast are Ajay’s strong work ethic and his gradual rise to Sunny’s shadow, something that comes with numerous perks but many strings attached.
Sunny is an addict and womanizer, but falls in love with a journalist. Their relationship is complicated. She’s not what Sunny’s father envisions as the perfect wife for his heir.
Bunty and his brother’s influence span much of the country and little goes unnoticed by either, including how Ajay came to be behind the wheel in the deadly crash.
Kapoor’s characters are vividly depicted as are India’s extremes.
The Age of Vice
Four+ Bookmarks
Riverhead Books, 2023
548 pages
Except for lives lost and residual health issues faced by those infected by COVID-19, the pandemic was, in many ways, positive. It was a time for introspection and, if lucky, being together. This is the starting point for Tom Lake, Ann Patchett’s newest novel.
It’s cherry picking season on the Nelson family orchard in northern Michigan. Due to the pandemic, Lara and Joe Nelson’s young adult daughters are home to help harvest the crop. They plead with their mother to tell the story of her long-ago romance with Duke, a famous actor.
The narrative seamlessly moves between Lara’s descriptions of present-day life and her involvement with Duke. They met doing a summer stock production of Our Town. Duke was beginning his trajectory while Lara awaited release of a movie she was in. However, it, and her role as Emily, was as far as her acting career would go.
Lara does little to embellish the relationship and spares few details regarding the intensity of their short-lived affair; she, via Patchett, tells a good story over the span of several days. She’s happily married to Joe, relishes her life on the farm and being with her daughters. How this evolved is entangled in Duke’s story, which has several (credible) surprises. Fortunately, readers are privy to info Lara does not share with her kids.
Patchett’s writing is engaging from page one and never wavers. Like those in Thornton Wilder’s play, Patchett has created a family of extraordinary characters living conventional lives in unusual times.
Tom Lake
Five Bookmarks
Harper, 2023
309 pages
The unlikely mix of family history, parenting, basketball, Chicago, mental health and love, most of all love, are all elements of Ann Napolitano’s Hello Beautiful.
Much has been written regarding this as homage to Little Women. Yet, the references are brief with themes beyond what Louisa May Alcott addressed. Yes, there are four sisters: Julia, intent on a better life; Sylvie, the librarian with whom she is closest, who dreams of finding her one true love; and twins Cecelia, and Emeline.
Beginning in 1960s, Napolitano’s novel provides perspectives from different characters. William Waters is a sad child neglected by his parents dealing with years-old grief. Basketball courts are the only places he finds a sense of belonging.
His skills and physical growth develop almost simultaneously. By the time he’s in high school, William is 6’7” and good enough to earn a scholarship to Northwestern University. There, he meets Julia the eldest of the Padavano sisters who decides William is the man for her. That is, unlike her father: kind but lacking motivation. Julia has long-range plans for William; he just wants to play ball while he can.
The Padavano family embraces William in ways he never experienced. What follows is a multi-decade narrative addressing depression and belief in the power of love.
When Julia gives birth to their daughter, William despairs he’s an emotionally-distant parent. What ensues is an upheaval in the relationships of all the characters. Napolitano creates such a credible rift; it’s questionable whether repairing the damage is possible.
Hello Beautiful
Four Bookmarks
The Dial Press, 2023
387 pages (includes acknowledgements)
Our Missing Hearts by Celeste Ng starts slow; initially it’s too easy to put down, until, well, it isn’t.
Much has to do with the mystery surrounding the absence of 12-year-old Bird’s mother who his father refuses to acknowledge while insisting his son to do the same. They live in a not-too-distant dystopian world where fear and suspicion rule based on safeguarding America’s culture known as PACT.
It’s a time when children are removed from parents suspected of seditious thoughts and behaviors. Those of Chinese, and by default all Asians, are considered threats. Bird’s mother Margaret is Chinese American and a poet. Her work goes largely unnoticed until one day PACT protesters use a line from one of her poems for their cause: Our Missing Hearts. To protect her son, she leaves the family.
Despite his father’s pleas, Bird’s curiosity about his mother becomes a driving force. These efforts to find her are where the narrative revs up.
Margaret’s story catches the past up with the present. This includes her childhood in the neighborhood’s only Asian family, later surviving on the streets when the economy collapses (blamed on the Chinese), and meeting Bird’s father and becoming a mother.
It’s been years since Margaret has written poetry, but she embraces a new passion based on the protester’s slogan: she tries to meet and interview as many parents as possible whose children have been taken from them.
Ng’s writing is vivid and frightening in its depiction of how self-preservation is manipulated by fear.
Out Missing Hearts
Four Bookmarks
Penguin Press, 2022
335 pages (includes author’s notes and acknowledgements)
When considering what I know about mothering, I must thank my mother first and foremost. I may not be the stellar student, but she is the exceptional teacher. With this in mind, I found Jessamine Chan’s ironically-titled The School for Good Mothers heart-wrenching. Chan’s writing evokes a range of emotions related to the subject of child rearing, neglect and relationships. The reader is left with much to consider.
Many women have neither strong role models, nor good maternal instincts. Both are true for Frida, mother of a toddler, whose limits are tested thanks to a lack of sleep, her job and the recent separation from her husband and his relationship with a younger woman.
One day, Frida leaves her young daughter, Harriet, home alone to run an errand. Frida is gone for two hours.
Of course, this is irresponsible and unforgivable. However, what evolves is also unacceptable. Frida is subjected to 24-hour surveillance and limited supervised visits with Harriet.
The only way for Frida to be reunited with Harriet is to undergo a year-long program designed to teach her, and other mothers, to be a better parent. Here’s where things go off the rails. Some of the women’s infractions are horrendous, others accidental. The mothers are incarcerated and given robotic dolls on which to hone their skills. The staff is unsympathetic and the parenting courses are often unreasonable (ie., speaking “motherese”).
Chan’s characters are vividly portrayed. Their losses are palpable. Child abandonment warrants repercussion, but not through draconian means.
The School for Good Mothers
Four Bookmarks
Simon & Schuster, 2022
324 pages
The Bear and the Nightingale is Katherine Arden’s debut novel, which
blends a familiar theme in the guise of a Russian folktale.
While this is more fantasy than classic Russian literature, the author does rely on its characteristics, such as the patriarchal society and descriptions of medieval Russia.
Vasya, whose mother died in childbirth, is a rebellious young girl; which
intensifies as she grows older. Yet, she’s sensitive to the world around her,
particularly aspects others either can’t or won’t acknowledge. This includes
woodland apparitions, water nymphs and household spirits.
Vasya’s father remarries and brings his young, extremely religious wife,
Anna, to his home in a remote village near the forest’s edge. Despite her pious
devotion, she is a malicious stepmother. She forbids the family from honoring
or acknowledging their household spirits. This, and the arrival of a priest who
supports Anna, ensures the family and villagers will endure bad luck.
The novel isn’t initially engaging, but gains momentum as Arden’s writing
becomes more vivid and her characters more fully developed. The harsh winter is
a significant element of the narrative.
The title is derived from the combating attributes of the woodland folklore
creatures and Vasya’s ultimate role with them.
It’s necessary to suspend disbelief and remind oneself that fear and joy are
part of fairy tales. This helps in recognizing the absence of nuance: there is
evil or good; magic or reality; but always a surprise.
The Bear and the Nightingale
Almost Four bookmarks
Del Ray, 2017
333 pages (includes glossary of Russian terms, Reader’s Guide and author
interview)
Although I’ve only read a few of Kristen Hannah novels, it’s clear she does her homework. This is true whether the novel’s setting is France during World War II, Leningrad or the Pacific Northwest; her writing evokes a strong sense of time and place. The Four Winds, set in the 1930s Dust Bowl era, is no exception. Hannah’s work also features strong, independent women; here Elsa Wolcott follows the pattern.
At 25 Elsa is considered past her prime as a marriage candidate. When she meets Rafe Martinelli, seven years her junior, her life changes. With no intention of a marrying Elsa, Rafe has no choice when she becomes pregnant.
By the 1930s, Elsa has settled in on the Martinelli farm, which in Northern Texas does not escape the devastation of the drought and dust storms that wreaked havoc across the Great Plains. Rafe abandons Elsa, their two children and his parents. Eventually, Elsa makes the trek to California, where word has it life is better.
Hannah’s vivid descriptions of the poverty, prejudice and injustices faced by the flood of migrants could easily, and unfortunately, be applied today. Elsa and her children aren’t immune to the incivilities, but the family’s relationships grow stronger in its struggle to find a better life.
The weakest element of the narrative is the insertion of efforts by union organizer Jack Valen. He comes across as the hero the family, and all farm workers, need. Yet, in some ways this negates Elsa’s intelligence and inner strength.
The Four Winds
Four Bookmarks
St. Martin’s Press, 2021
454 pages
Of Women and Salt by Gabriela Garcia is a novel I wanted to fall in love with. Unfortunately, despite it having so many elements I’m drawn to, that didn’t happen.
With the exception of a Mexican immigrant and her young daughter, Garcia’s debut work focuses on the women in a Cuban family, several generations removed. Immigration, abuse, mother/daughter relationships, addiction, miscommunication and loss are brought together through glimpses into each woman’s life. The result is a disjointed narrative.
Loss is the most dominant thread, beginning with Maria Isabel in a cigar-rolling company in rural Cuba in 1866. As the only female roller, hers was the most compelling story. To keep the workers engage, a man read either from a novel or newspaper until war made it impossible to continue.
The next chapter is a leap to Miami 2014, where Jeanette, Maria Isabel’s great-great granddaughter is a grown woman and substance abuser. She’s a much less engaging character; yes she makes poor choices, but more is needed than illustrations of her bad decisions. Although she briefly helps the young daughter of the Mexican neighbor who’s apprehended by ICE, there’s little else appealing about her.
The characters need to be fully developed. It’s as if they’re faded photos without any nuance. While this is a work of fiction, the experiences the women endure are important because, unfortunately, they’re not unique. The impact would be greater if, instead of multiple situations, more details were limited to only a few.
Of Women and Salt
Two-and-a-half bookmarks
Flatiron Books, 2021
207 pages
Shuggie Bain, the title character of Douglas Stuart’s debut novel, is heartbreaking. But, don’t avoid it. The characters, notably Shuggie and his mother Agnes, are vividly portrayed with hopes and flaws.
The story is bookended by 1992 when Shuggie is a young man. By contrast, most of the narrative occurs in the 1980s. The seamy parts of Glasgow are brought to life, complete with Scottish dialect, out-of-work miners, alcoholics and low-rent housing. The setting is as much a character as Shuggie and others.
Agnes is an alcoholic whose efforts at sobriety are rare. She left her first husband for Shuggie’s father, who in turn, leaves her. Her two older children find ways to escape the toxic home life, so Shuggie remains to care for his mother while dealing with her neglect. He’s optimistic she’ll change and be a proper parent. He also believes if this happens, he’ll become a normal boy.
Shuggie is effeminate, so he’s bullied, but never understands the insults nor reasons he’s taunted. In this regard, Douglas has crafted a beautiful character whose innocence is his downfall. When coupled with his devotion to Agnes as her caregiver, he’s not left with much of a childhood.
Because of her beauty, Agnes believes she deserves more in life but does nothing to attain it. Although it’s evident to everyone around her, she refuses to acknowledge her alcoholism. She’s also certain the right man will come along to save her. In fact, he’s been at her side all his life.
Shuggie Bain
Four Bookmarks
Grove Press, 2020
430 pages
The Blue Page Special 
