Archive for the ‘daughters’ Tag
*This review was written in 2018. I thought I’d posted it, but turns out it’d been languishing in my Documents folder all this time. At least I remembered I’d read the book before watching the first episode on Hulu….
The way families communicate with each other and the rest of the world is at the heart of Little Fires Everywhere by Celeste Ng. This novel falls into the can’t-put-it-down category. The characters are haunting in their embodiment of what they believe is right and wrong. When those lines are blurred, they become even more real – like people we know, or like the people we are.
Mia Warren and her teenage daughter Pearl arrive in the upscale, planned community of Shaker Heights, Ohio. They rent an apartment owned by Elena Richardson, the mother four high school-aged children. Elena, who’s mostly referred to by the author as Mrs. Richardson, has lived her life as if following a recipe: step-by-step never considering substitutions or variations. Mia is an artist. She and Pearl move from place to place with the regularity of seasons. Mia promises Pearl this time, they’ll settle down.
That the families become intertwined is no surprise. The narrative opens with the Richardson’s manor-like home burning to the ground. Like bookends, this is where things wrap up.
Pearl and Moody Richardson become best friends. These are like-minded, intelligent kids who don’t quite fit in with the popular crowd like Moody’s older brother and sister. There’s also his troubled sister, Izzy, adding to the dynamics.
Little Fires Everywhere
Four-and-a-half bookmarks
Penguin Press, 2017
338 pages
When reading a mystery I want to be surprised; I also want to reach the solution on my own. This might seem contradictory, but it’s my benchmarks for a good thriller.
Both were achieved in Fiona Barton’s The Child. I was pleased to be right. Of course, it took most of the book to fit all of the pieces together, but I did. Rather than feel disappointed once I suspected how things would end, I was proud of my sleuthing abilities.
Three main characters move the story: Kate, a journalist intrigued by the discovery of an infant’s skeleton when an old house is demolished; Angela, whose infant daughter was kidnapped from the maternity ward more than 40 years ago; and Emma, a middle-aged woman with secrets, including a teen pregnancy. Emma’s mother, Jude, has a pivotal role in the novel’s progression.
Kate is convinced there’s more to the story than the gruesome discovery at a construction site. Meanwhile, Angela’s begins to hope that she will finally have an explanation of what happened to her daughter. Emma fears that her past has literally been uncovered. Meanwhile, Jude has no interest in looking in the rear-view mirror and dismisses Emma’s anxieties as part of the strained relationship between the two.
Through Kate, the author methodically reveals the heartbreaks and fears each woman has suffered in their respective lives while fitting together the ways in which they’re all connected. If intrigue isn’t enough, there’s also a bit of science thrown into the mix.
The Child
Four Bookmarks
Berkley, 2017
365 pages
Often, stories within stories are enchanting, muddled, lopsided or boring. Fortunately, Winter Garden by Kristin Hannah is captivating without any confusion. One narrative is not more interesting than the other; both have equal appeal.
Much of what makes Hannah’s novel so successful is the clever way in which her characters evolve. Sisters Meredith and Nina are grown women who have always basked in the light of their father’s love. Meredith is the older sister, pragmatic and harried; Nina lives the adventurous life of a freelance photographer. Theirs is not a close a relationship. If not for Evan, their father, there would be little for anyone in the family to hold dear.
Unlike Evan, their mother is a cold, distant woman incapable of showing or articulating affection. This could be a black and white story, but Hannah has enough sense, and talent, to show the nuances. A secret past, painful memories and the harsh reality of war culminate in a fairy tale the sisters’ mother is ultimately compelled to tell. The story moves from the idyllic, contemporary life on the family’s apple orchard to cold, war-torn Russia. Like any good fairy tale, this one begins with a handsome prince, an evil overseer, and a young girl who falls in love.
As the fairy tale evolves, it’s clear this the only way the mother can explain herself and for her daughters to recognize their own strengths, weaknesses and connections. There’s nothing jumbled in either side of Hannah’s engaging account.
Winter Garden
Four Bookmarks
St. Martin’s Griffin, 2010
391 pages
The Blue Page Special 