Archive for the ‘Marie Benedict’ Tag

Homage to the Maestro of Mysteries   1 comment

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It’s difficult not to marvel at Marie Benedict’s how’d-she-do-it in The Mystery of Mrs. Christie which takes the famous mystery writer’s disappearance as inspiration while adding a twist the title character would surely applaud.

Agatha Christie did, indeed, disappear resulting in an extensive search, massive media coverage and abundant speculation – something that continued long after she was found. When her car was discovered abandoned in early December 1926, the worst was feared. The explanation, when she reappeared 11 days later, was amnesia.

Benedict divides the chapters in her novel into two sections: The Manuscript and Days after the Disappearance – beginning with Dec. 4 to Dec. 14. The former recounts the relationship between Agatha and her husband, Archie, from courtship to his later infidelity and demand for a divorce.  The alternating chapters describe Archie’s reactions, suspicions toward him and efforts to find the renowned writer.

References to Christie’s early works are made and Benedict provides a glimpse as to how mysteries became the genre of choice for the British author. The writing is engaging and the characters are vibrant. Archie, for example, is portrayed as a complete cad. He’s selfish, cold and calculating. However, when it comes to calculating, Agatha Christie, literally, wrote the book – several of them, in fact. Something Archie’s self-centered personality keeps him from recognizing, let alone appreciating.

Admittedly, the initial significance of the manuscript and its tie to the mystery eluded me. I’d likely be a disappointment to Miss Marple or Hercule Poirot; Marie Benedict would not.

The Mystery of Mrs. Christie

Four-and-a-half Bookmarks

Sourcebooks, 2021

264 pages plus Reading Group Guide and “A Conversation with the Author”

Brains Beyond Beauty   Leave a comment

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Marie Benedict has a knack for fictionalizing life stories of impressive, impactful women. The Only Woman in the Room is her latest endeavor. Hedy Lamarr, screen star of the 1940s and 50s, isn’t the first person who comes to mind as a significant World War II figure. Further, as an inventor she deserves more credit than many realize.

Hedweg Kiesler was born in Vienna into a wealthy, Jewish family and considered a stunning beauty. Initially, Benedict’s account of Kiesler/Lamarr is focused on her early stage career leading to her marriage to Friedrich Mandl, a munitions manufacturer.

Mandl is older, wealthy and powerful. Hedy’s father fears any rejection on Hedy’s part toward Mandl’s romantic interest could put the family in danger. Initially, Hedy is not impressed by the riches (and roses) he dispenses so freely to woo her. Eventually they marry after she succumbs to his charms.

The novel’s title is an apt description of Hedy’s presence which is dismissed as one of no consequence. She’s considered no more than a beautiful woman. What she learns, however, are plans for Austria to first join forces with Mussolini; and later Hitler. She knows she needs to escape, not only the fate of her country, but the abusive relationship with Mandl, who simply wanted a trophy wife.

Danger and intrigue are tangible elements in Keisler’s life; fame and romance comprise Lamarr’s. Yet, Benedict shows something deeper by chronicling the transition from refugee to film siren to wireless communications inventor.

The Only Woman in the Room
Four Bookmarks
Sourcebooks Landmark, 2019
254 pages