
The Lying Life of Adults is Elena Ferrante’s new novel. Although it has similarities to her Neapolitan Quartet, notably the setting and a young female protagonist, it’s more introspective and a little less engaging.
Giovanna is a young teenager who overhears a conversation between her parents in which her father describes her as ugly. In fact, he says, she looks as bad as his estranged sister, Vittoria. Until this point, Giovanna has admired both her parents, felt secure in her family, and was completely unaware of any relatives, let alone her aunt.
The eavesdropping leads Giovanna to find Vittoria and discover not only a part of Naples she never knew, but also family secrets ultimately leading to a transformation of looking beyond the obvious. It’s not necessarily an engrossing narrative, but it is Ferrante. Adolescence is a difficult time; the author deftly illustrates this with the self-absorbed, manipulative youth and adults.
The author is at her best describing the class structure within Italy, in particular Naples. It’s easy to visualize how education plays a role in the lives of the residents of this southern Italian coastal city. References to dialect and coarse behavior further emphasize the line dividing social classes.
It is problematic Giovanna is not a particularly inspiring character. Yes, her independence does eventually surface, but her relationships with others are one-dimensional. Frankly, she’s a wimp. Granted, Vittoria is odd and her parents lose their bearings. Nonetheless, her efforts to find herself in their world of deceptions and accusations really should be more interesting.
The Lying Life of Adults
Three-and-a-half Bookmarks
Europa Editions, 2020
322 pages