Archive for the ‘dark humor’ Tag

Not the sparks that light up the night   Leave a comment

When considering that Fireworks Every Night by Beth Raymer is about a dysfunctional family the title is certainly appropriate. Yet these are subtle, more like distracting sparklers than explosives, although the repercussions are rattling.

Narrator C.C. begins her story as an engaged woman about to marry into a wealthy family. She alternates between the present and living in Florida as a youth with her older sister and parents. C.C.’s father is a slick, successful used car salesman. He moves his family from Ohio to the Sunshine State after burning down his own sales lot for insurance money.

Those funds allow him to purchase property in a rural, as yet undeveloped area in Palm Beach County, and build a house with a swimming pool. These, C.C. says, are the best days of her childhood.

Soon, however, the halcyon times fade: her sister becomes a drug addict, and her parents begin a drawn-out separation while sharing the same space — until they don’t.

The chapters about C.C. as an adult living in Connecticut are less engaging. There are no pyrotechnics and not much action. Those are saved for her teenage years.

C.C. is smart enough to see she has to work to change the trajectory of her life. The odds are not in her favor of achieving any semblance of a normal life, i.e., without following in her parents’ or sister’s patterns of deceit and self-destruction.

Raymer incorporates dark humor while describing the harsh reality of living in a world of disappointments.

Fireworks Every Night

3.75 Bookmarks

Random House, 2023

224 pages

Unrequited Life   2 comments

Virginsuicide

First published twenty years ago, The Virgin Suicides by Jeffrey Eugenides remains poignant and rich with dark humor. The account of the Lisbon sisters, whose mere existence – and ultimate demise – captured the attention of their entire community, is told in a plural form of the third person voice representing the neighborhood’s teenage boys. It’s not quite the “royal we” but is an interesting technique nonetheless.

Eugenides’s narrative takes place in a quiet Detroit suburb. Seasons are noted by references to fish-flies, fallen leaves and holiday lights. For the Lisbons, however, there are complications. The narrator(s) rely on observation and references to interviews conducted with other neighbors, teachers and clergy. Mention is also made of several “exhibits” which include medical reports and photographs.

The five sisters range in age from 13 to 17, and the youngest is the first to kill herself. It’s clear not just from this suicide which takes place early in the novel, but also from the title, that the others will follow suit. The narrators share this sense of the girls’ impending self-destruction. Eugenides masterfully creates tension, and toys with the reader suggesting the possibility that, perhaps, the girls will be unsuccessful.

However, this is not a work simply about teen angst with no way out. It is a coming of age chronicle and a love story. The narrator(s) are forever changed by their connection to the Lisbon family, but the impression is that would have been true even without suicide as part of the tale.

The Virgin Suicides

Four Bookmarks
Picador, 1993
243 pages