Archive for the ‘Books’ Category
Part Harry Potter, part Alice’s Adventures in Wonderland, The Ocean at the End of the Lane by Neil Gaiman compels the reader’s imagination to relinquish, among other things, fear of the unknown. It’s worth the little effort needed to suspend belief, but Gaiman makes it very easy through his sensitive story telling that mixes memories, nightmares, and hope into one gripping tale.
The story begins as the narrator returns to his hometown for a funeral. He recalls how 40+ years earlier as a shy, reclusive seven-year-old he is befriended by Lettie Hempstock, who lives with her mother and grandmother. The boy has no friends, but Lettie, who is four years his senior, draws him out of himself. It’s Lettie who believes the pond on her family farm is an ocean.
At the same time, a nanny, Ursula Monkton, arrives in the boy’s home. It will come as no surprise that Ursula isn’t what she appears to be. In fact, she appears as many things. Lettie becomes a protector who in the process of caring for her young charge takes on numerous risks – dangers the young boy would never face on his own, but who willingly approaches them with Lettie.
Gaiman blends magic, mystery and the passage of time into a single cauldron where dreams, recollections and reality are hard to distinguish. The now-grown man finds himself at the Hempstock farm with whom he initially believes is Lettie’s mother since it’s unlikely, in his mind, that Grannie Hempstock is still alive. Yet.
The Ocean at the End of the Lane
Four Bookmarks
William Morrow, 2013
181 pages
It should come as no surprise from the title of Hannah Kent’s debut novel, Burial Rites, that death plays a major role since it overshadows the entire plot. It is also obvious from the onset who will die and why. What is less clear is the unexpected empathy that develops for the condemned.
Kent creates an unlikely protagonist in Agnes Magnusdottir, charged with the brutal murder of her former lover. While awaiting her execution, Agnes is sent to live with a farmer’s family apprehensive of have a murderess in their home. Like the harsh, cold Icelandic setting in which the story occurs, warmth toward to Agnes is slow to kindle.
The beauty of Kent’s writing lies in her ability to develop an emotional response in readers in much the same way the host family members relinquish their reluctance, revulsion and fear of having Agnes in their midst. The transformation is hard won.
Told in part from Agnes’s perspective, a few official letters, and an omniscient narrator, each character is skillfully portrayed through personality quirks, physical descriptions, and overt reactions. It’s easy to envision the pompous, narrow-minded District Commissioner who inflicts his will. Kent is equally successful in developing Toti, the young assistant reverend Agnes has requested as her spiritual advisor. This uncertain young man, and his faith, evolves as Agnes grows more comfortable sharing details of her life.
The novel, a fictional account of actual events, demonstrates hardened hearts can be softened by honesty, profound interaction, and a good storyteller.
Burial Rites
Four-and-half Bookmarks
Little, Brown and Company, 2013
322 pages
Anne Lamott’s Imperfect Birds is either a wake-up call or a near-miss experience for parents and their kids. Either way, it’s a disheartening look at teenagers, parenting, and community. The first paragraph sets the tone: “… a teenager died nearly every year after a party and kids routinely went from high school to psych wards, halfway houses, or jail.” The first thing I’d do is move, no matter how idyllic the little town, where the story’s set, with its appealing proximity to San Francisco.
Lamott writes with purpose, honesty and humor. Yet her characters are not likeable. Rosie is an entitled high school senior, facing real and difficult situations where peer pressure, availability of drugs, and opportunities for sex are abundant. Elizabeth and James, Rosie’s mother and stepfather, know these dangers exist, but are reluctant to parent. Why should they? Rosie’s a good student and involved at church. Plus, as a consummate liar she successfully overrides her parents’ arbitrary concerns.
It doesn’t help that Elizabeth is a recovering alcoholic – except it should. She shouldn’t be such an easy mark. James doesn’t fare much better, although he tries. Elizabeth’s fault is her desire to be Rosie’s friend first and parent second. The book does lend itself to a discussion about parenting.
If Lamott’s goal is to show how blind loving parents can be, she’s successful. When Elizabeth and James finally see the light, it’s not through their personal epiphanies, rather from Rosie forgetting to keep the wool over her own eyes.
Imperfect Birds
Three Bookmarks
Riverhead Books, 2010
317 pages
I confess, my dog has me tied around his leash – literally and metaphorically. I love my dog; my kids love my dog; the jury’s still out on my husband, though.
I’ve had three dogs in my adult life. All hold special places in my heart, but with Jackson, my German Short Haired Pointer mix from the humane society, I feel something different. I think I know more now, and I should. Afterall, I’ve spent more time, more money, more efforts to train him and more affection on him than I like to admit. As Michael Schaffer points out in his book, One Nation Under Dog, I am not alone.
Schaffer examines the emotions and economics of dog ownership in the U.S. The two factors are closely aligned but it’s clear Schaffer puts emotions in the driver’s seat, why else would we dog owners be part of a $43 billion industry that continues to grow, and in some ways, has evolved as somewhat bizarre?
In a conversational tone, Schaffer recounts the many ways humans and their pets (primarily dogs and cats to a lesser extent) cohabit. He shares his personal experience as a dog owner, provides anecdotes from other owners, and interviews professionals: vets, trainers, dog walkers, breeders. He addresses everything from food to pet accessories. His research also includes legal concerns, dog parties, and dealing with the loss of a pet. The details eventually begin to bog down. Fortunately, Schaffer’s point of view includes a sense of humor and irony.
One Nation Under Dog
Adventures in the New World of Prozac-Popping Puppies, Dog Park Politics, and Organic Pet Food
Three-and-a-half Bookmarks
Henry Holt and Co., 2009
288 pages, including notes
Although I think Rebecca Eaton, long-time producer of Masterpiece (formerly known as Masterpiece Theatre) is an interesting person, I am thankful the focus of her book, Making Masterpiece, is on the series. To be honest, I knew nothing about Eaton before reading her book, but that’s how I discovered she’s so charming. Still, the show’s longstanding quality programming is what drew me to the title.
Eaton shares enough of her life to explain how she became executive producer in 1985. From there, she recounts anecdotes involving actors, producers and writers; many of whom share their own memories of their involvement in the series.
I remember when Alistair Cooke used to introduce the Sunday night programs; I also recall that Sesame Street created Alistair Cookie and Monsterpiece Theatre which mimicked the austerity often associated with classic British literature.
Eaton incorporates self-deprecating humor, which is most evident when she confesses to initially rejecting Downton Abbey as a possibility for Masterpiece. Of course, she soon realized the error of her judgment.
Masterpiece Theatre first aired in 1971. On Eaton’s watch several changes have occurred: the name has been altered and there are now three seasons: Classic, Contemporary and Mystery. She explains how this came about and also details, as much as is possible, the day-to-day duties of being an executive producer.
Among the book’s pleasures is being reminded of past programs, or learning of ones I missed. Most of all, if it’s possible, it’s made me even more excited for the next episode of Downton Abbey and Sherlock and …
Making Masterpiece
Four Bookmarks
Viking 2013
291 pages
At nearly 600 pages, Amy Tan’s recent novel, The Valley of Amazement, is not just long-awaited, it’s just long. Very long.
It’s the exhaustive story of Chinese courtesans, mothers, daughters, unattainable love, and mistakes repeated from one generation to the next. And, it’s so dang long. Tan clearly did her research to impart so much about the life of a courtesan. The trouble is that other authors have written on this topic much more succinctly. Lisa See comes to mind.
Two thirds of the work is told from Violet’s perspective, which begins when she is seven years old growing up in a Shanghai courtesan house run by her mother, Lucia, an American. Violet is initially unaware that her father, whom she has never met, is Chinese. At 14, Violet is sold to become a courtesan herself when her mother sets sail, unwittingly without her daughter, for San Francisco. Thus begins the lengthy downward spiral Violet endures as things go from worse to worse, interspersed with moments of rare happiness or brief tolerance to her life’s harsh realities. Much of what Violet endures is predictable.
The book’s final third provides Lucia’s view. By comparison, the brevity, although a relief, is puzzling. Yes, Violet is the focus, but this is a narrative about mother-daughter relationships. Even with Tan’s excessive details, Violet is an intriguing character as are several others. After spending so much time with them, they do find their way into our hearts; it just could have been sooner rather than later.
The Valley of Amazement
Three-and-a-half Bookmarks
Ecco/HarperCollins, 2013
589 pages
In The Hollow Man, British author Oliver Harris presents one of those multi-flawed detectives that have become so popular in recent crime fiction. Okay, maybe it’s not necessarily a recent trend, but his protagonist Nick Belsey is one ambiguous cop who seems to be nearly invisible to those around him given what he gets away with in plain view.
Belsey is a Detective Constable with the London Police and the hefty catalog of his indiscretions, mostly involving gambling, drinking and abuse of position, overshadows his negligible good qualities. Yet, as Harris provides more and more insight into his character’s personality, it’s clear that even though Belsey wears the good guy’s white hat, it is set exceptionally askew.
It appears that Belsey has hit rock bottom in his personal life, consisting primarily of self-destructive behaviors, which has caught up with his career. He’s facing a formal inquiry with a forced leave of absence looming over his head. Despite this, he becomes embroiled in a murder investigation which he links to a major financial crime and sees as an opportunity to (illegally) change his life.
The novel is engaging and full of dark humor. In spite of Belsey’s conduct, it’s impossible not to wonder if he’ll continue on his path to ruin or see the error of his ways. The major flaw comes in the form of Belsey simply flashing his badge to get near crime scenes and restricted information given that he should have either restricted or no access due to his own transgressions.
The Hollow Man
Three-and-a-half Bookmarks
Bourbon Street Books (HarperCollins), 2012
470 pages
It’s interesting that I’ve recently read two nonfiction books that both include the word betrayal in their subtitles. After all, it’s a powerful assertion. Michael Paterniti shares his in The Telling Room: A Tale of Love, Betrayal, Revenge, and the World’s Greatest Piece of Cheese. Initially the last word, the cheese, is what caught my attention more than the previous three. Those are experiences most of us know on some level, but the best cheese in the world? That’s something outside my realm.
Paterniti tells three stories: that of Ambrosio Molinos, a Spanish farmer turned cheesemaker; of life in rural Spain; and of the author’s own infatuation with the subject of his book, which isn’t the cheese at all, but the man behind it. Although Paterniti’s self-revelations are the least interesting, they’re fun to ride along with since he does such a magnificent job of bringing the larger-than-grand Ambrosio to life off the pages. It’s easy to see how he became so enmeshed in Ambroiso’s world, which is described in rich and vivid detail.
A combination of greed, poor business decisions and, ultimately, different versions of the same story result in Ambrosio’s fall from grace as a gentleman farmer to a man plagued with debt who is no longer able to produce the cheese that garnered worldwide attention.
The Telling Room could easily have been subtitled the power of friendship. It is power that comes from the beauty of reliance, fun and sharing to the more destructive and sad aspects that emerge when friendships fail.
The Telling Room: A Tale of Love, Betrayal, Revenge, and the World’s Greatest Piece of Cheese
Four Bookmarks
The Dial Press, 2013
349 pages
Several years ago, I interviewed Richard Betts for a freelance piece I was writing. It came about because he lives in Boulder, had his own wine label (Betts & Scholl) and, at the time, was one of only 170 master sommeliers worldwide. Since then the number has grown to 214 and Betts has written a humorous, albeit basic, book: The Essential Scratch & Sniff Guide to Becoming a Wine Expert.
Betts is personable, knowledgeable and not at all condescending – qualities that shine in the book. He wants wine to be accessible, not limited to a certain class or clientele. In fact his approach is included on the book’s cover: “Wine is a grocery, not a luxury.”
In less than two dozen cardboard-like pages, all of which have simple drawings like the content of a children’s book, Betts admonishes readers to simply use their noses to help identify their wine likes and dislikes. He even goes so far as to single out the smells most often found in wines as a way to understand why one wine might be more appealing than another. He writes, “Know that tasting is actually smelling.”
The book, indeed, has scratch and sniff spots, but not all the aromas shine. Still, the point is well taken. Most of us know what vanilla smells like, and if we like it or not. The bottom line, Betts emphasizes, is to drink wine you like. He is just helping readers understand why some might be more appealing than others.
The Essential Scratch & Sniff Guide to Becoming A Wine Expert
Four Bookmarks
Hougton Mifflin Harcourt, 2013
21 pages
I have a Twitter account, but don’t tweet. Reading Hatching Twitter: A True Story of Money, Power, Friendship, and Betrayal by Nick Bilton did nothing to encourage me to embrace this social media leviathan. I was curious about Bilton’s book because I teach an Internet Media class. Undeniably, Twitter has a huge role in how society communicates. Journalists around the world demonstrate its use as a significant tool to report news. I appreciate that. However, it’s disconcerting that stories, whether personal or professional, can be condensed to 140 characters or less.
Nonetheless, Bilton’s book, while not as objective as expected from a New York Times reporter, provides insight into Twitter’s short history. All of the major players and how they became part of the little blue bird’s universe are introduced. Although many others are featured, the focus is on the four identified as Twitter’s co-founders: Evan “Ev” Williams, Jack Dorsey, Christopher “Biz” Stone, and Noah Glass. Bilton is sympathetic in his account of Glass’s involvement, which was short lived. Williams and Stone are profiled in a positive light compared to Dorsey who’s mocked for his Steve Jobs-wanna-be approach and his alone-at-the-end-of-the-day consequences.
The manner in which the story’s told is appealing. Starting in 2010 with Williams about to announce his departure as Twitter’s CEO, Bilton then offers the true beginning in 1997. The account is similar to a mystery without the murder, but plenty of intrigue and backstabbing. The reader knows what’s going to happen, but not necessarily how.
Hatching Twitter: A True Story of Money, Power, Friendship, and Betrayal
Almost Four Bookmarks
Portfolio/Penguin, 2013
302 Pages
