In a small, post-war French village, two young teenage girls, Agnes and Fabienne, are the main characters in Yiyun Li’s The Book of Goose. Yes, it’s a strange title, more unusual than the story itself.
As an adult married woman living in the U.S., Agnes learns of Fabienne’s death whom she hasn’t seen in more than 10 years and reflects on their friendship.
Out of boredom, the girls played games relying on Fabienne’s imagination and rules. The two were opposites in personalities, with Agnes always willing to follow her friend’s directives.
Fabienne devises a plan for the two to write a book; she dictates and Agnes, who has better penmanship, puts it down on paper. They enlist the help of the old widowed postmaster, who ultimately fine tunes the book before contacting a publisher in Paris.
Thus the game takes on a new dimension with unsophisticated Agnes recognized as a child prodigy. This farm girl is scrutinized and celebrated as she goes beyond Paris eventually to a finishing school in England, unhappily leaving her friend behind.
Although Fabienne often called her friend an idiot or imbecile, Agnes is more than she appears. Agnes could have other friends, but chooses Fabienne. They fill an unspoken need in each other.
The novel’s essence is grounded in the meaning of friendship with an underlying thread of deceit, loss and discovery. The adult characters are one-dimensional in sharp contrast to the multilayered portrayal of the young girls.
As for the title, Agnes has geese.
The Book of Goose
Four Bookmarks
Farrar, Strauss and Giroux, 2022
348 pages
The Blue Page Special 
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