Archive for the ‘mystery’ Tag
Camilla Lackberg’s The Ice Princess is my recent discovery in Scandinavian crime genre. She’s touted as Sweden’s version of Agatha Christie. While I might not go that far, I did enjoy the mystery set in Fjallbacka, a Swedish fishing village turned tourist community north of Goteborg.
It’s no surprise that within the first few pages a body, an apparent suicide, is discovered. The twists come in the form of small town connections. Erica, the second (living) person on the scene is a childhood friend of the victim, Alex. The two had lost touch with one another long ago, but Erica has fond memories of their friendship.
Erica, an author of biographies, is asked by Alex’s parents to write what amounts to an expanded obituary. They are convinced Alex did not kill herself. The more Erica learns of her estranged friend, the less likely it seems that Alex would have taken her own life.
Plenty of characters populate Lackborg’s novel, and surprisingly few are extraneous. Besides Erica, a major player is Patrik, a local police officer. They, too, had known each other as kids. As a boy, Patrik was enthralled by Erica. Alex’s death brings them together in more ways than one.
Lackberg doesn’t rely on the mystery; she includes romance, domestic violence and long-held secrets. The result is an engaging story that moves at a comfortable pace. It’s not necessarily a rapid-page turner, but is likely to keep you reading later at night than you might like.
The Ice Princess
Four Bookmarks
Pegasus Books, 2010
393 pages
When I mentioned to a friend that I was reading Diane Setterfield’s The Thirteenth Tale, she was surprised it was new to me. It is, after all, a book for booklovers and a mystery, two aspects I find appealing. There is also a sense of the gothic, which typically doesn’t grab me. Yet, I had trouble putting the book down.
This story within a story is compelling on many levels. There’s Margaret Lea, a reclusive woman whose companions are the books in her father’s antiquarian bookshop. Although close to her father, her mother is distant, practically absent from family life. Margaret had a twin sister who died at birth, an event from which Mrs. Lea never recovered.
Margaret receives a letter from Vida Winter, considered one of Britain’s most prolific and beloved authors. Despite her popularity, Vida has creatively maintained her privacy. However, in poor health she summons Margaret to write her biography. In the process, dark secrets emerge.
Each character is transformed through the story telling. Margaret becomes softer as she learns about Vida’s mysterious and startling past. Vida, whose strength diminishes day by day also begins to demonstrate warmth and concern. The more Vida reveals about herself and her dysfunctional family (long before the term was coined), the more engrossing the tale becomes.
Vida tells about the twin sisters, Adeline and Emmaline, and just when the reader is certain to have determined who is who and what is what, Setterfield adds more ingredients into the tantalizing mix.
The Thirteenth Tale
Four Bookmarks
Washington Square Press, 2006
406 pages
Child 44 begins in such a predictable manner, with a vignette from the past, it belies the true suspense of Tom Rob Smith’s novel. However, as the tale unfolds each twist and turn is a complete surprise.
In Stalin-era Russia, Leo Demidov is with the State Security Force. In the midst of investigating a possible traitor, he’s ordered to address the death of a colleague’s young son. The family is convinced the boy was murdered but as Leo notes, “If left unchecked, the groundless chatter about murder could grow like a weed, spreading through the community … making them question one of the fundamental pillars of their new society: there is no crime.” The family’s concerns are dismissed.
Although he’s guilty of cold-heartedly dealing with those who denounce Mother Russia through actual or perceived actions, Leo has a soft side. Smith establishes a tangible fear and mistrust that permeate the Russian culture. Leo has kicked in more than his share of doors and had citizens banished, or worse, but the tide changes and he becomes a hapless victim when he refuses to condemn his wife, Raisa.
Consequently, Leo is assigned menial tasks with small town police force, but a girl’s murder captures his attention by its similarity to the death he had previously scorned. Thus begins a secret investigation, cross-country pursuit, and unraveling of long-held secrets.
This is a rapid-heart rate page turner. However, one fault lies in Leo’s nemesis: Vasili, a one-dimensional character in an otherwise realistic, albeit frightening, world.
Child 44
Four and a half Bookmarks
Grand Central Publishing, 2008
436 pages
I learned about The Healer from a link sent by a friend featuring book doppelgangers. Antti Tuomainen’s novel was identified as the literary twin to The Girl With the Dragon Tattoo. That’s all I needed to know – or so I thought. Unfortunately, it’s more a fraternal connection than identical.
Yes, it’s set in Scandinavia but from there the similarities are tenuous at best. The Healer is compact but can’t quite settle on a specific genre. It’s crime fiction, without the thrill of trying to determine whodunit before it’s spelled out. It’s an apocalyptic tale, without an explanation of what actually took place – except for references to global warming. It’s a love story, told only from Tapani the narrator’s perspective, which is unreliable.
Tapani recounts his frantic search for his missing wife, Johanna, a journalist working on a story about a series of murders. The couple has never gone more than a few hours without communicating with one another. Her editor is disinterested, the police are over-worked, and friends are not forthcoming. Tapani is on his own left to retrace his wife’s steps. Along the way he is befriended by a helpful yet mysterious cab driver. And, Tapani uncovers a few secrets from Johanna’s past, which make him question how well he truly knows her.
Tuomaninen’s description of Helsinki is stark; it’s a city of constant rain, poverty and crowds. None of which, like Tapani’s search for Johanna, is very engaging. Nonetheless, I found myself thinking about the ending long after finishing this terse novel.
The Healer
Three Bookmarks
Henry Holt and Co., 2010
211 pages
A wholesome, but fiercely independent, young woman in rural Minnesota isn’t exactly who comes to mind when a murder needs to be solved. Yet, author Joanne Fluke has developed quite the following with her Hannah Swensen mysteries. The only explanation I can surmise lies in the fact that Hannah, who fits the above depiction, is also a baker extraordinaire and it’s worth the easy reading to get some new recipes.
Fluke’s most recent addition to the Hannah Swensen oeuvre is Red Velvet Cupcake Murder, which had been on The New York Times Best Seller’s List for several weeks. That, along with my own penchant for cupcakes, is what drew me to the book. Nonetheless, my expectations, fortunately, were not high, so I was not disappointed.
Hannah lives in Lake Eden, a small town, where she owns the Cookie Jar, a bakery and coffee shop. The story begins with her catering the opening of a renovated hotel. The cupcakes are a featured attraction, along with several delicious-sounding baked goods. Readers are immediately introduced (or for those Hannah followers re-introduced) to Hannah’s mother, sister, love interests (yes, plural) and friends. Hannah’s nemesis from an earlier book reappears on the scene.
It doesn’t take long for an accident to occur, which requires a lot of cooking on Hannah’s part to help make people feel better. Soon thereafter someone is murdered, and instead of being part of the unofficial investigation, Hannah becomes a suspect. Somehow, thanks to friends and family, the bakery continues to serve the delicious sweets it is known for, and readers can continue to drool over their descriptions.
All of the delectables include clever names to fit the situation. Among them are Razzle Dazzle Brownies, Tickled Pink Lemonade Cookies, Snappy Turtle Pie and the Red Velvet Cupcakes with a Surprise Filling — the storyline is so predictable it’s nice there is at least one revelation that truly unfolds.
Red Velvet Cupcake Murder
Three Bookmarks
Kenninsgton Books, 2013
323 pages, including recipes
I was on the library’s waiting list for Gillian Flynn’s Gone Girl for months. When it was finally ready for me to check out, I was impatient to start reading. After mentioning this to a friend, her reaction was less than exuberant, it was baffling. After all, the novel was so popular there’d been hundreds ahead of me waiting for a library copy. It’s been on Publisher Weekly’s list of Best Hardcover Fiction for 15 weeks – and appears pretty comfortable there. I pressed my friend for more, but she held fast: we’d talk when I finished.
Gone Girl is a mystery on several levels, including how I spent time living with such unlikeable characters for the past week? The story follows the disappearance of Amy on her fifth wedding anniversary. By all indications, her husband, Nick, is responsible. Amy and Nick alternate as narrators. The book is divided into three sections. The first focuses on the disappearance, possibly abduction or possibly murder. Nick comes across as shallow and surprised, not upset, at his wife’s unexplained absence. He seems guilty, which is reinforced by Amy-as-victim told through diary entries.
The second and third sections of the book reveal much more about Amy’s ability to weave complicated webs of deceit. It’s not that Nick is suddenly less appalling, but Amy is more so. Flynn is a craftswoman. Her characters are fully developed as repulsive and intriguing. They’re also scary, always a good thing for a mystery, and I couldn’t look away. I need to talk to my friend.
Gone Girl
Four Bookmarks
Crown Publishers, 2012
415 pages
I imagine it’s entirely possible to enjoy Death Comes to Pemberley even if, heaven for-
bid, you’ve never read Pride and Prejudice; but I especially appreciate P.D. James’s latest
mystery because I do know about the Bennet and Darcy families. The novel begins six years
after Jane Austen’s Elizabeth and Darcy are married.
A few new minor characters are introduced, but James, for the most part, extends the lives
of those created by Austen in a completely believable manner: the Darcys have two young
boys; Jane and Bingley are regular visitors to Pemberley, the Darcy estate; and Wickham,
the troublemaker in the original work has a similar role, with his wife Lydia not far behind
in her ability to exasperate.
The story begins on the eve of the annual ball overseen by Elizabeth as she continues a
tradition started by Darcy’s mother. The preparations are interrupted when an uninvited,
hysterical Lydia appears believing Wickham has been shot nearby. The characters’ react-
ion to this news, subsequent discoveries, and a trial in London’s Old Bailey are sheer en-
tertainment. In James’s hands, the story is plausible. The characters react just as one
would expect of proper, early 19th century British gentry. Family obligations and public
perceptions dictate their behavior.
The numerous and recent spinoffs, including combining zombies with Pride and Prejudice,
even if only meant to introduce or reacquaint readers to Jane Austin, have never appealed
to me. However, James has created something completely original from classic literature
without diminishing appreciation for Austen’s writing.
“Death Comes to Pemberley”
Four Bookmarks
Alfred A. Knopf, 2011
291 Pages
The Blue Page Special 