Danya Kukafka begins Notes on an Execution 12 hours before Ansel Packer is to die by lethal injection for the murder of three young girls. His final hours and minutes alternate with the stories of three women whose lives impacted his: Lavender, his mother; Hazel, a victim’s sister; and Saffy the resolute police investigator who pursued the cases.
It’s a foreboding narrative. There’s no doubt as to Ansel’s guilt, yet the author deftly – uncomfortably – describes the forces behind his actions.
Ansel’s mother was 17 when she gave birth; four years later she abandoned him and his infant brother after years of abuse by the boys’ father. When the children were picked up by social services, they were hungry and filthy. Ansel’s memory is of the constant cries of his brother, who he was led to believe died soon after.
In and out of foster care, Ansel’s behavior is odd from the start. He’s intelligent, a loner, yet knows how to charm when necessary. He’s 18 when he commits his first murder; two more follow shortly afterwards. Many years later, he’s a suspect in the murder of his ex-wife.
The writing is tense and the themes raise a lot of questions. Time is played out in years for Lavender, Hazel and Saffy evidenced in their aging and experiences. For Ansel, time passes in the present, although he does reflect on his past.
Kukafka builds suspense with a sense of irony while combining hope with despair – something deeply felt by those in Ansel’s life.
Notes on an Execution
Three-and-a-half bookmarks
William Morrow, 2021
306 pages
The Blue Page Special 