Julia Phillips’ descriptions of the Kamchatka Peninsula in eastern Russia as lonely and cold are vivid in her novel Disappearing Earth. The title is fitting given the geographic isolation and the way the people move in, then away from the plot.
Beginning with the abduction of two young girls, the narrative features a range of characters with strong, tenuous or nonexistent ties to the victims. What they share is the locale and an awareness of the missing girls.
The first chapter is called August. Subsequent chapters/months represent the passage of time and introduce another situation involving others. The result is a disconnect more suggestive of a short story collection than a novel since there’s often no resolution for the problems or experiences described. Issues range from a young woman in college with a manipulative boyfriend, to a lost dog, from ethnic traditions to dissolution of friendships or family estrangements. Nonetheless, most chapters are captivating. These are interesting people, and the rich writing of each situation only begs for more. The list of main characters included to keep track of who’s who helps.
The investigation of the missing girls is initially a priority for the police, but eventually loses momentum. By contrast, a young indigenous woman who previously went disappeared was barely acknowledged by authorities.
The novel’s greatest strength lies in the setting; it’s a character unto itself. The weather, the light and the landscape, which includes rocky beaches, densely-wooded forests and looming active volcanos, are austere – like its people.
Disappearing Earth
Four Bookmarks
Alfred A. Knopf, 2019
256 pages
The Blue Page Special 
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