Archive for the ‘personal losses’ Tag

The Good in Farewells   Leave a comment

Anne Tyler is a gifted story teller. Her characters are ordinary, and if you live in
Baltimore — her setting of choice — they could easily be your next door neighbors.
She makes the potentially banal into something sublime. Such is the case with 
The Beginner’s Goodbye
, a finely-threaded novel about a man, Aaron, left to
scrutinize his marriage following the death of his wife in a freak household accident.
The story’s beauty deepens as Aaron is ultimately forced to confront his relation-
ship with not only his deceased wife, Dorothy, but also with his sister, co-workers,
and others he’d rather ignore.

The beginner in the title comes from the succession of books published at Aaron’s
small, family-run publishing house. Humorously based on the Dummies’ series, the
Beginner’s books address everything from kitchen remodeling to dog training, from
wine tasting to bird watching. In a way, Tyler’s novel is about how to avoid dealing
with grief. Aaron is pathetic, and, if not for glimmers of humor, would be a completely
disagreeable protagonist due to his efforts to deflect expressions and gestures of sym-
pathy as well as support. By the way, Aaron stutters and his right side is crippled. He
has a history of impeding assistance, which he mistakes for pity. He has always kept
everyone at bay. From Aaron’s perspective, so did Dorothy. Ironically, Dorothy’s re-
appearance as an apparition helps him acknowledge this and other truths.

This is no ghost story or smoke and mirrors tale. Instead, it’s about love, loss and un-
derstanding.

Four Bookmarks

The Beginner’s Goodbye

Alfred A. Knopf, 2012

197 pages

Grandmas With Attitude   2 comments

Just because everyone has a story to tell, doesn’t mean everyone should. It’s
nice, though, that Adriana Trigiani shares hers in the memoir, Don’t Sing at
the Table: Life Lessons From My Grandmothers.

Trigiani imparts memories and the advice given by both of her grandmothers:
Lucy (on her mother’s side) and Viola (on her father’s). Although the two
had little direct interaction with one another, they had a profound influence
on the author. Both were hardworking, independent women who raised families,
ran their own businesses, suffered personal losses, but lived long rich lives.
This describes many grandmothers today, but this was the 1940s and ‘50s.

These Italian-American women weren’t just role models to their granddaughter
(and others); they also had plenty of advice to dispense, from parenting to
femininity, from marriage to adventure. Trigiani’s writing is conversational.
It’s easy to imagine the time spent with Lucy and Viola, and to feel the im-
pact they had. These were tough but caring women who found success at work
and happiness at home.

The title is what caught my attention. Not singing at the table was one of
many family rules when I was a kid, but there was never an explanation.
Trigiani provides one. It comes from an Italian proverb: “Chi e canta a
tavola e piu stupido che fuma a letto, which translated means ‘He who
sings at the table is more stupid than the one who smokes in bed.’” This
is debatable, but it certainly makes for a good title.

Three Bookmarks
Harper Collins, 2010
204 pages