Archive for the ‘PBS’ Tag
No Ordinary Assignment is Jane Ferguson’s memoir about her career as a war correspondent, primarily in the Middle East.
Ferguson grew up in Northern Ireland where conflict was a constant, so it’s little surprise that later she often put herself on the front lines that led, for example, to Arab Spring, the fall of Kabul and much more. This was initially as a freelance journalist and eventually on staff of Al Jazeera English and PBS.
The work meant leaving her home base, which through the years included Sana, Yemen; Dubai; Kabul; New York City; and others on a moment’s notice. The result tested relationships but allowed Ferguson to prove her abilities at getting the story.
Her experiences were fraught with danger; she was often the first reporter on the scene and usually the only female. She frequently embedded with military forces and was smuggled into several war zones.
Ferguson shares her love of Kabul and the heartbreak of its downfall, not just for herself but the Afghans who were forced to leave – she was among the last Western journalists to evacuate Afghanistan.
At times self-deprecating, Ferguson’s account of becoming an award-winning journalist is compelling, if, albeit, at times repetitive. Not to denigrate her exploits, but it’s difficult to keep track of so many close calls in the face of peril.
It’s evident she sacrificed a lot to pursue her goals. Certainly, she warrants admiration for her tenacity and desire to inform the public about world events that have impactful consequences.
No Ordinary Assignment
Three-and-a-half bookmarks
Mariner Books, 2023
320 pages
Although I think Rebecca Eaton, long-time producer of Masterpiece (formerly known as Masterpiece Theatre) is an interesting person, I am thankful the focus of her book, Making Masterpiece, is on the series. To be honest, I knew nothing about Eaton before reading her book, but that’s how I discovered she’s so charming. Still, the show’s longstanding quality programming is what drew me to the title.
Eaton shares enough of her life to explain how she became executive producer in 1985. From there, she recounts anecdotes involving actors, producers and writers; many of whom share their own memories of their involvement in the series.
I remember when Alistair Cooke used to introduce the Sunday night programs; I also recall that Sesame Street created Alistair Cookie and Monsterpiece Theatre which mimicked the austerity often associated with classic British literature.
Eaton incorporates self-deprecating humor, which is most evident when she confesses to initially rejecting Downton Abbey as a possibility for Masterpiece. Of course, she soon realized the error of her judgment.
Masterpiece Theatre first aired in 1971. On Eaton’s watch several changes have occurred: the name has been altered and there are now three seasons: Classic, Contemporary and Mystery. She explains how this came about and also details, as much as is possible, the day-to-day duties of being an executive producer.
Among the book’s pleasures is being reminded of past programs, or learning of ones I missed. Most of all, if it’s possible, it’s made me even more excited for the next episode of Downton Abbey and Sherlock and …
Making Masterpiece
Four Bookmarks
Viking 2013
291 pages
The Blue Page Special 