Archive for the ‘Alfred A. Knopf’ Tag
Anne Tyler is a gifted story teller. Her characters are ordinary, and if you live in
Baltimore — her setting of choice — they could easily be your next door neighbors.
She makes the potentially banal into something sublime. Such is the case with
The Beginner’s Goodbye, a finely-threaded novel about a man, Aaron, left to
scrutinize his marriage following the death of his wife in a freak household accident.
The story’s beauty deepens as Aaron is ultimately forced to confront his relation-
ship with not only his deceased wife, Dorothy, but also with his sister, co-workers,
and others he’d rather ignore.
The beginner in the title comes from the succession of books published at Aaron’s
small, family-run publishing house. Humorously based on the Dummies’ series, the
Beginner’s books address everything from kitchen remodeling to dog training, from
wine tasting to bird watching. In a way, Tyler’s novel is about how to avoid dealing
with grief. Aaron is pathetic, and, if not for glimmers of humor, would be a completely
disagreeable protagonist due to his efforts to deflect expressions and gestures of sym-
pathy as well as support. By the way, Aaron stutters and his right side is crippled. He
has a history of impeding assistance, which he mistakes for pity. He has always kept
everyone at bay. From Aaron’s perspective, so did Dorothy. Ironically, Dorothy’s re-
appearance as an apparition helps him acknowledge this and other truths.
This is no ghost story or smoke and mirrors tale. Instead, it’s about love, loss and un-
derstanding.
Four Bookmarks
The Beginner’s Goodbye
Alfred A. Knopf, 2012
197 pages
I imagine it’s entirely possible to enjoy Death Comes to Pemberley even if, heaven for-
bid, you’ve never read Pride and Prejudice; but I especially appreciate P.D. James’s latest
mystery because I do know about the Bennet and Darcy families. The novel begins six years
after Jane Austen’s Elizabeth and Darcy are married.
A few new minor characters are introduced, but James, for the most part, extends the lives
of those created by Austen in a completely believable manner: the Darcys have two young
boys; Jane and Bingley are regular visitors to Pemberley, the Darcy estate; and Wickham,
the troublemaker in the original work has a similar role, with his wife Lydia not far behind
in her ability to exasperate.
The story begins on the eve of the annual ball overseen by Elizabeth as she continues a
tradition started by Darcy’s mother. The preparations are interrupted when an uninvited,
hysterical Lydia appears believing Wickham has been shot nearby. The characters’ react-
ion to this news, subsequent discoveries, and a trial in London’s Old Bailey are sheer en-
tertainment. In James’s hands, the story is plausible. The characters react just as one
would expect of proper, early 19th century British gentry. Family obligations and public
perceptions dictate their behavior.
The numerous and recent spinoffs, including combining zombies with Pride and Prejudice,
even if only meant to introduce or reacquaint readers to Jane Austin, have never appealed
to me. However, James has created something completely original from classic literature
without diminishing appreciation for Austen’s writing.
“Death Comes to Pemberley”
Four Bookmarks
Alfred A. Knopf, 2011
291 Pages
The Blue Page Special 